A quest for the locations in the novels of Haruki Murakami and other travel musings
Author: mikeraggett
I'm a writer, producer and director living in London. My interests are wide ranging: reading, theatre, art and music battle it out with food and wine (especially Spanish), gardening, walking, Hampshire cricket, Watford Football Club and Boston Red Sox for prime spot which of course changes all the time.
Earlier in the week, I’d thought today might be a good time to explore the parks that flank the river Genil on the southern side of the city. Thinking few cafes would be open early, I had booked the hotel’s buffet breakfast which gave me a good start to the day. I then ventured into the outside world and started my walkabout on the rambla that leads to the big roundabout down by the river. Just lovely.
One of the things I love about this city is the pavement decorations made from light and dark grey stones. They vary from area to area and some have quite intricate patterns.
The pomegranate is the symbol of GranadaFlowers and starsGeometric designs
As I reach the paseo I’m confronted by a plethora of Christmas attractions; a traditional carousel which says adults can ride too! Then there’s a mini train driven by Santa and a huge snow slide as well as a skating rink.
The riverside promenade is quite wide and offers a number of options for walkers – a pavement right beside the river mostly used by people in wheelchairs and runners, a tree and shrub lined walk for strolling in the shade and a sand and gravel avenue among plane trees. I do bit of the walk in each, just because I can.
It has seating areas, fountains and statues and makes for an interesting amble. The city is well provided with explanatory signs so some history and context are hoovered up along the way. This eagle topped- column is dedicated to Don San Pedro de Galatino a businessman who saw the potential for tourism from the Sierra Nevada and built roads and tramways to enable access from Granada. Clearly a worthy entrepreneur.
At the moment the river is a shallow stream but the cleverly arranged boulders form a series of weirs to manage the flow in spring when the snow melt from the Sierra Nevada turns into a torrent – at least that’s I’m told by a gent who engages me in conversation. They say the snow is early this year and could be heavy come January.
After a while on the right bank I come to a modern metal sided bridge which takes me over the Genil and after a time I wonder how far it will be before the next one. It is in fact about a kilometre before I can cross back over in front of a very impressive sports complex in which tennis and basketball are underway in the morning sun.
My wander back along the other bank begins to take on some urgency as I’ve been on the move for well over an hour now and the aroma of prawns in garlic means that a restaurant and therefor loos can’t be far away. I reach Restaurante Nagare and enquire if I can get a table for a drink – I always try to make a purchase so as not to take advantage. This request is met with laughter which I soon realise is because the entire place – probably a hundred or so covers – is reserved for Christmas Day lunches, a tradition we had noticed in previous visits. They were kind enough to waive the “Loos only for customers” rule and let me in. I make it along to the plaza where I started my walk and find a table in El Sifon which brings me a beer and a delicious tapa of spicy chickpeas.
I cross over the Roman Bridge – built in the 13th century but on the foundations of an earlier Roman era bridge hence its name. It’s pedestrianised now and flanked by a modern vehicle river crossing.
On the south side of the river I find a lengthy queue for a massive Belen in a big marquee. Years ago these used to be quite modest affairs but they have become huge with whole scenarios of daily life as well as the nativity essentials of stable, shepherds and wise men. Just after leaving it I passed a shop where you can buy all the elements to make your own at home.
The Alhambra gets a look in of course and you can make your from this shop.
This area also has the Congress and Exhibition Centre. Apart from conferences and trade shows it has an auditorium but sadly no music for me this visit. I’m secretly relived as going up all those steps could be a challenge.
Given the state of restaurants I’ve seen on my walk, I am fortunate to get a table – inside only – at Biloba which is not far from the Cafe Futbol which itself has no space. So I’m a bit apprehensive that if this place has room, will the food any good or excessively expensive. The tapa with my beer is a delicious small dish of paella with a whole prawn and some chunks of pork and chicken. Meat close to the bone is always the most tasty and I had pigs cheeks the other day so I choose the rabo de toro – oxtail in a delicious herby and garlicky gravy. Accompanied by a good red from DOC Granada, I needn’t have worried about the fact that they had room for me. It was delicious, reasonably priced and set me up for another picnic supper in my room as all the restaurants will be closed again tonight. So the evening is spent reading, writing, watching some TV and includes a video call to the family which rounds off a lovely Christmas Day.
I have always been a big fan of Federico Garcia Lorca as a poet, playwright, composer and martyr. He came from Granada so I had to take the opportunity of exploring his heritage in and around the city. I had seen the stunning Harriet Walter in The House of Bernarda Alba on stage and Glenda Jackson playing Bernarda in the film. And both Juliet Stevenson in a regular performance of Yerma followed by Bille Piper’s stunning portrayal in the adaption at the Young Vic showed the current relevance of Lorca’s work. l’m renting a car later in the week to visit his birthplace and early home in Fuente Vaqueros and Valderrubio but today is concentrated in the city itself. I decide not to breakfast in the Cafe Futbol again as I need to head off in the opposite direction. I do find the requisite juice and coffee but then get sidetracked on the way. I later discovered it was just as well as the FGL Centre doesn’t open until 11:00.
First I walk past this arched entrance which I discover is to El Corral de Carbon which dates from the early 1300s and was an al-fundaq – a corn exchange and lodging house for merchants bringing wheat to the city. It has a splendid courtyard with huge grape vines climbing up its pillars to form a canopy – sadly bare at this time of year.
Then I was back at the market – one of my weaknesses in any town or city. The Mercado de San Agustin did not disappoint with its superb seafood and ham stalls, lots of bars and lots of noise.
By now it is well past opening time and I set off for the first objective of the day. Spot the writer!
It took a long time and a lot of wrangling to get a centre to celebrate Lorca in his home province – Madrid and New York got there much earlier. This modern building houses the archive of his works that was assembled by family after a) his death, secretly and b) after Franco, more openly. There are thousands of manuscripts of plays, poems, songs and prose; extensive exchanges of correspondence with publishers and producers; recordings of poetry readings; many, many photographs and some video and the big surprise to me lots of his sketches and paintings. I knew he pretty much defined polymath but the paintings and drawings echoing Miro and Dali, Braque and Picasso had escaped my appreciation on previous encounters with his work.
The main display area is on the second or third basement floor – I stopped counting the steps – and has objects, dresses worn by Marianna Xirgu at the premieres of Bernarda Alba and Yerma and letters, press cuttings, brilliant period posters, photographs and the drawings.
I had just started to snap a few when a museum lady came to ask where I was from. She seemed delighted I was from Londres, But also told me photography was forbidden. So all I’ve got are his typewriter and his amazing signature.
I spent a couple of hours soaking up all this Lorciana during which time my appreciation for him grew even more – he was only 38 when they shot him so what might he have gone on to achieve? One of the posters was for a performance by his touring theatre group La Barraca which he founded to take drama to the villages and the people and an incarnation of which still exists. Dee and I saw them perform one of his farces, the very sexy Don Perlimplin in Ubeda a few – probably fifteen – years ago. We didn’t have much Spanish at the time but the action told the story very clearly as explained by the play’s subtitle “An erotic lace-paper valentine in three acts and a prologue”. Happy memories came back as I looked at a Barraca poster.
Fortunately I found a lift to take me from -3 to 0 which saved the legs doing all those stairs upwards. The outside world was perfect with sun, not a cloud to be seen and pharmacy signs indicating 16 degrees. Time for a stroll to the next location the Parque FGL about fifteen minutes away. As so often the walk passed through a couple of the delightful squares that seem to be a characteristic of Granada and indeed many Spanish cities. This one was Plaza Trinidad and there was a long queue for what was obviously a popular bakery kiosk and of course you can’t escape him for long in Granada.
A sense of déjà vu occurred as I crossed the Camino de Ronda where I’d changed buses on Sunday. I was soon at the entrance to the park which is extensive with a number of different areas.
It also contains the Huerta de San Vicente, the Lorca family summer home in Granada. It narrowly survived a demolition order in 1975 – was Granada still run by Francoists? But public outcry saved it and created the park around it. It’s now a museum but is closed on Christmas Eve but I may get back down later in the week.
I was moved to write a poem while in the gardens which I’ve shared with my BBPC colleagues but won’t bore you all with here. I walked back into the centre along Calle Recogidas another posh shopping street halfway along which I spied a rather nice looking courtyard in the sun – ideal for a beer – first of the day at 14:30 – call this holiday! The courtyard I discovered is part of a smart hotel Palacio de Los Patos in the Hospes hotel chain. We had stayed in one of these in Valencia a few years back ad had enjoyed it very much. But posh street, posh hotel. I could have stayed for 1.75 nights for the price I’m paying for seven nights at my Palacio de Las Navas. Maybe when I win the lottery! But they did give me a free tapa of couscous with seafood.
Patio at Palacio de Los Patos a bit earlier in the year (thanks Tenedor)
The street leads back to the Puerta Real which is close to home and I think about getting some lunch remembering that everything shuts in the evening on Christmas Eve in Spain. Lone eating is difficult when you occupy a table that could take two but on this day it was looney.
This was the state of one of the bars further up Calle Navas – utterly rammed – as were all the others and I received a lot of shaken heads and “lo siento“ responses. I eventually found a pizza place that could give me a pavement table and had a rather good ravioli with roquefort. I then repair to the grocery shop to get some cheese, ham and chorizo for an evening picnic as all the restaurants said they were going to close.
In the evening, Netflix told me a film I’d like was expiring on 31 December so I watched Todos lo Saben (Everybody Knows) a convoluted family drama and kidnap story with Penelope Cruz and Javier Bardem. It wasn’t brilliant but showed current village/small town life in a way I’m sure Lorca would have approved. Peasants not the posh centre stage.
Tour booked for midday, I woke, showered successfully with the new sleeve and set off for breakfast. The hotel does provide a buffet but you have to book it the day before and I hadn’t.
I walk down the slope towards a small square and what do I see? Cafe Futbol – how could I not? In the well-heated exterior area were lots of people doing churros y chocolate but for me it was the more modest orange juice, cafe solo doble and a croissant. Great start to the day.
I then decided to stroll down the Street of the Virgin towards a tree- lined Paseo alongside the river Genil. This was a recce, but a stroll along here is probably on the cards for Christmas Day. As I returned up the nearby and strangely named Acero del Darro – the Darro river is on the other side of the Alhambra and this road leads to the Genil. Ah well. I am drawn, as so often, into El Corte Ingles the big department store chain as it has loos and the opportunity to replace a falling apart credit card wallet. Back to the hotel to pick up my ticket for the tour and set off up the street to catch the 30 bus to the Alhambra – I’m encouraged to be there 15 minutes early. Nearing the bus stop I realise I left my phone in the room so it’s a quick dash back to retrieve that I make the next bus and the ride up to the Alhambra is crowded but I get there in time to meet Laura, our guide for the next several hours.
We start just outside the entrance to the Parador which brings back a dash of nostalgia and some very happy memories. It was such a delight to walk from breakfast on the terrace straight into the Generalife Gardens.
The said Generalife is where the tour leads us first. Laura points out to the non-Spanish speakers, that it is not an insurance company (!) but the sultan’s summer palace. It gives us great views of the whole complex, a look down on the gardens which grow vegetables and fruit for the palace and we stroll through the summer palace itself noting the areas that are still essentially moorish and those which the conquering Christians decided to convert to more northerly tastes. This theme repeats throughout the tour since the Moors held Spain from 711 until 1492 when Philip and Isabella finally managed to drive them out. So there’s a lot of Arabic influence to overturn. And a lot of mis-translation of Arabic names into Spanish as in this one:
Bib-al-hambra was thought to be the original name which means red gate to the Alhambra but was confused by the incomers with Bib-al-jambra which would have been wine gate. Since Muslims don’t do alcohol it seems that red gate is the most likely but the name Puerta de Vino is on all the signboards.
As we leave the Generalife and move to the fortress and palaces of the Alhambra, Laura gives us some history and context of the astounding engineering capabilities of the Arabs and the ongoing archaeology that is uncovering more of the plebeian areas of the site. To support the sultans and their courts there would have had to be hundreds if not thousands of ordinary folk who baked, spun, made leather, did carpentry, built palaces and castles. They lived in the Medina which has been partially uncovered in recent years.
Medina excavations
The most impressive feat of the period of Mohammed I in the 13th century was to make water flow uphill and to capture the river Darro six kilometres away and through water wheels and aqueducts supply his new hilltop city with all the water it needed. There was an interesting BBC report a couple of years back that explains it all and here is part of the original aqueduct that gave the complex the water it needed for drinking, bathing, for fountains and for flushing loos.
The tour takes us next to the alcazaba, the military part of the city. It’s impressive in size and scale and that it is constructed from local compacted earth and not from quarried stone. It also affords great views over Granada and of the sow-topped Sierra Nevada some 40 km to the south east.
Albaicin and Sacromonte areasSierra Nevada
My recollection of the amazing decoration, elegant architecture and layout of the Nasrid Palaces was more the reinforced on a second viewing. When Dee and I had been here before we were able to wander at will but now with many vying tour groups – 9000 visitors on a busy day! – it was all a bit more regimented but still with time to admire the craftsmanship in wood, plaster, marble and tiles that make the palaces worth anyone’s time to visit. In my loft at home I have negs and contact sheets of the black and white shots I took on our previous visit – must dig them out when I’m back. Here’s a flavour of today’s visit – in colour.
Laura had been a brilliant guide giving us a short break during which she could smoke a couple of cigarettes – her theory is that smoke numbs the throat and gives her the ability to talk in a foreign language non-stop for three and a half hours. We didn’t discuss the other side effects! On the way out there was either a wedding or a magazine photoshoot in the centre of the very ugly palace that the Hapsburg Holy Roman Emperor and Charles V of Spain plonked in the midst of all this elegance to make his mark. I had hoped after being on my feet for five hours to get the bus back into town but it was so crowded that I gave up and walked – blissfully down – back to the centre. It was a pleasant stroll through the Gomerez forest and passing the ruins of the Bibalrambla Gate which was one of the original entries to the Arabic city from the 11th century until 1492 and is commemorated in the name of the main square.
Much needed respite came in the way of beer and a plate of freshly sliced Iberian ham and the discovery that I was only about 10 minutes form the hotel, where I went to put my feet up for a bit and write up yesterday.
I then made an evening tapas crawl and finished up in a quite posh restaurant where I was able to have another favourite dish carilleras de cerdo (pigs cheeks) served with half a baked apple and caramelised onions – a new take on traditional pork with apple sauce. They just overdid the Christmas thing with my coffee.
Then it was back via another spectacular lights display – a circle round the Puerta Real and when I got back even Navas Street was showing its Christmas spirit.
A circle of light at Puerta RealCalle Navas at night
So, I leave the hotel in what I thought was good time to catch the 07:35 to Granada. However given the construction work around Atocha Station it’s quite a trek to get there. Then once inside it’s up an escalator, through a huge airport style mall and then an airport style baggage security check which I hadn’t been expecting. However I find seat 7 in coach 2 which I’d been told by train operator Renfe was a special seat with extra space and fewer passengers to ensure a quiet journey. All good you’d think. But just opposite was a family of four with one fairly studious 7 year-old boy but a totally fractious 3 year-old daughter who screamed pretty well non-stop except when being stuffed with food. Bliss! I then freaked out as the announcer said the next stop would be Cordoba. Now I know enough about Spanish geography to position Granada due south of Madrid with Cordoba a long way to the south west. It dawned on me that the AVE (high speed) routes were limited and that it made sense to first build tracks to serve Cordoba, Sevilla and Malaga direct and then construct a new west-east line through Andalusia. As it happens we had seen much of the construction work for this route when visiting friends who used to live in Antequera or renting a cottage in the hamlet of La Parilla, near Iznajar some years ago. Some familiar scenery flashed by as we raced across Andalucia.
However the train did arrive at Granada Station at the time predicted and apart from my neighbours it was a good trip – announcements in Spanish and English, a trolley coffee service (which I didn’t use as it was instant Nescafé – in Spain!) and was clean and comfortable.
My plan was to walk to a nearby bus stop and get a bus to within a five minutes walk of my hotel. Oops! Read the front of the bus more carefully, Michael – CENTRO CERRADO DESVIO POR CAMINO DE RONDA. It meant it wasn’t going anywhere near where I wanted to be but the excellent CityMapper told me where to get off and take another bus. It worked and I arrived much too early to check in but they kindly relieved me of my bags, took my passport and sent me off to explore.
It’s a very fine hotel converted from a sixteenth century palace but fortunately with a lift and modern plumbing and facilities. I selected it because my only prior knowledge of hotels in Granada was the magnificent Parador inside the Alhambra where Dee and I stayed many years ago. This one looked OK and was five minutes walk from lots of things I wanted to do. Arriving before check-in rather forces you to go and explore which I did with glee as Calle Navas where the hotel is located is in a pedestrianised street full of bars and restaurants.
Calle Navas
I was waylaid by the aroma of a decent coffee and then discovered that by walking straight up the road I was soon in the famous Plaza Bib Rambla said to be the heart of the city. And boy do they do Christmas here. A Christmas tree circus flying chair device, a cycle-powered traditional carousel and signs to Belens everywhere. These are the scenes of Bethlehem that are a tradition all over Spain. This one was in the splendid Town Hall building.
I followed the wise men in hope!Granada Town HallChristmas tree chairoplanes
I found myself outside the market – Mercado de San Agustin which was still pretty lively on a Sunday afternoon and will be visited again. I did sit at a bar outside in bright sun where my phone said it was 17 degrees- oh that’s why I’m here. Looking at the competing menus displayed all around I chose a restaurant that served one of my favourite dishes aubergines with honey which I make myself quite often but this had the added benefit of being topped with miel de caňa which I can’t get in the UK. It’s black, not too sweet and made from sugar cane. My travels took me past the Cathedral, the Lorca centre I intend to visit on Tuesday – in common with most of the world it seems museums don’t open on Mondays – and onto the high-end shopping street Reyes Catolicos, which I skipped along not being much of a window shopper.
My one piece of shopping involved getting a protective sleeve to cover the dressing on my left leg so I could shower properly – in Madrid it had been an early morning struggle to keep it dry. Fortunately protect is protegir and bandage sounds pretty much like vendaje , so I emerge from the farmacia with just what I needed – and it worked well this morning by the way.
I went back to the hotel about five thirty where my luggage had already been taken to my very pleasant room and I spent a while unpacking, organising myself and taking a breather after a fairly hectic day. Post first day blog, read a bit of the Booker prizewinning Orbital and then it’s time to head out for dinner. There are lots of tourists so you can eat at any time you like really but the local families in the place I chose came in around nine to nine-thirty so a bit earlier than Madrid. It proclaimed to be famous for its croquetas so I ordered three filled with morcilla (black pudding) and caramelised onions. They were delicious and very filling so I had a small bowl of chips topped with freshly sliced ham and a spicy tomato sauce. I needed to walk off this repast so I headed off to the central area again to be blinded by the amount of sparkling lights strung across every main thoroughfare. They do do Christmas in Granada!
Back home for a little nightcap, a bit more book and a look forward to tomorrow’s trip to the Alhambra which I had pre booked with an English guide whereas our previous visit from the Parador allowed us to wander at leisure among those amazing palaces and gardens. Apparently you can still get day tickets but the queues are enormous. I’ll find out tomorrow.
A new adventure starts and I decide it’s going to be a pauper’s trip. So Saturday finds me walking to Lee station as the drizzle turns serious. I board a train to London Bridge, a bus to Liverpool Street and then the Stansted Express to the airport.
None of the luxury of drive up and get an overnight with parking hotel deal. No priority lounge either but a rather good bacon sarnie in Perch. For once there is a shorter Priority queue at Ryanair and we board the plane a mere 30 minutes late. However they make up time with a tail wind and we arrive in Madrid at the scheduled time. On message, it’s take the 5 euro bus into town – no car rental or taxis this trip. Having spent the flight finishing Haruki Murakami’s latest book The City and its Uncertain Walls in which fictional and (f)actual worlds intersect, unicorns die in droves through the cold and people are separated from their shadows, I was relieved to observe people with shadows as I exited the terminal – not least because it meant the sun was shining brightly from a clear blue sky – a real joy after my damp and dismal start to the day.
Sadly the Express bus to Atocha Station called at all the other terminals first and was rammed by the time it got to International Arrivals. So I had some near-intimate encounters with a couple of lady passengers as the bus swerved lanes and managed roundabouts on its way into the city. But we got there and my hotel for one night only was close., I’m glad I’d seen the glories of Atocha before because the elegant structure is now clad in construction work hoardings. I check in to the Hotel Mediodia and quickly set off in quest of a beer and a snack. The cafe Argemosa proves an ideal spot and I’m even given a free tapa – an orange segment topped by some cod and balsamic vinegar and an apple slice with chorizo and migas – both very tasty and a good sign that outside tourist traps, tapas with a drink are still a thing.
This was a very local neighbourhood bar with a massive collection of bottle openers and a reminder that life in Madrid is a bit different.
The blackboard reads:
IN MADRID WE DINE FROM 10 OK.
Refreshed, I wander through trendy Lavapies and make my way slowly up to the centre thinking that Madrid was not as Christmassy as Barcelona had been a couple of years ago. But then I got to Puerto de Sol and saw this enormous tree and a green Santa, a Grinch and a Gruffalo all receiving tips from the passers by – cash not performance notes
Then I walked up to another square and came across – of course – a Christmas market. Then as it grew dark, I started noticing the stars suspended across several streets. I had an evening beer in Plaza Santa Ana – one of our favourite spots on a previous trip – no free tapas here. I had another in a bar earmarked for a longer return visit, La Descubierta, where my Estrella Galicia was served with a slice of bread topped with chorizo and manchego,
I then ventured into a well-stocked bookshop and was amazed to see these titles on display next to each other. Very woke acceptance of past history!
Then it was on to the main event of my overnight in Madrid – a session at the Jazz Cafe Bar Central. I wimped out and booked for the 20:00 gig rather than the 22:00 as my train for Granada leaves at 07:35 in the morning. I had booked the gig and dinner option from their website and as a lone diner was shoved away into a corner – not unreasonable really and the tapas style board was good and went down well with a Rioja I’d had before, Ontanon. The band was the Joshua Edelman Sextet – Edelman on piano with bass, drums and congas and a front line of trombone and flute. They played a lively set of originals and standards with a heavily Cuban feel. Which suited my neighbours well as the couple were born in Havana but had lived in Spain for 40 years. As also was a much younger couple at the next table. So immigrants get everywhere don’t they?
A 15 minute stroll down Calle de Atocha signposted me nicely back to the hotel just as Madrid was getting started for the night. Like my daughter kindly remarked a while back – I’m old. Night, night
One of many stars lighting the streets around the centre.Outside my hotel – who said Madrid wasn’t Christmassy!
Back in UK on Friday evening, Saturday shopping and multiple laundry sessions and Sunday it’s off to the Tate Modern with neighbours Sean and Maria and my friend Rosa who last saw me on crutches for Pina Bausch’s Nelken at Sadler’s Wells at the end of january. We four went to see the exhibition Yoko Ono: Music of the Mind. It was back in the sixties when I first heard about her when her film Bottoms caused a great media storm. I’d then obviously been aware of the John Lennon connection but had not really thought about her as a serious artist. But my goodness she is – yes there are some stunts that may be a bit gratuitous, but taken as a body of work this exhibition shows her to be a serious, thought-provoking artist – and very Japanese in her mental processes.
Her earliest works were immaculately typed and calligraphed utterly surrealist notions in her Action Poems with a wide variety of ideas that make you think about dreams, reality and which you’d prefer to be in. So many of these contain messages like the Painting for the Wind where you think how wonderful it would be if new seeds were spread by the wind allowing new life to grow, This idea recurred many years later when she and John sent acorns to world leaders to plant trees for peace. Some of the responses they received are displayed too. It is quite shocking to realise that Yoko was doing things 60 years ago that are considered edgy today. There are far too many to comment on all of them and to read all the works in the show you’d need to be there for days not hours. I might go gain.
Then there’s the mesmeric striking and burning of a match filmed at 2000 frames a second and replayed in ultra slow motion. You can’t take your eyes off it. Throughout the exhibition there is a constant exhortation to get involved to become art yourself – one of us did..
Drawing round projected shadows makes an intriguing new piece of art and makes you wonder who were all these people.Rosa entertains the gallery with her living sculpture in Bag In
The joint projects with Lennon like the Bed In for Peace were shown in films you could watch from benches or bean bags and for many younger visitors these were probably news – I’m old enough to remember them vividly from media coverage at the time. Another of their films Film number 11: Fly was truly disturbing as a number of flies crawled over the naked body of the wonderfully named Virginia Lust accompanied by a very experimental audio track with Yoko’s vocals, John’s guitar and various tape recorder reverse effects. As a producer I hope they paid Ms Lust a substantial fee for her ordeal – she hardly flinched under all those tickly flies’ feet.
I had vaguely heard of the Half a Room project that Yoko first showed at MoMA in 1967. It does make you think about completeness, wholeness and things you are missing in life and trains the eye to see things differently.
As indeed does the bullet hole in a pane of glass where she encourages us to go and look from the other side. When first shown in Germany it was punningly entitled Das Gift with its pleasant English comnnotation but in German gift means poison. It reminds us that John Lennon was tragically shot by a bullet and there are far too many still being fired in conflicts all over the world. She and John were always very politically engaged. Their famous poster WAR IS OVER if you want it can be seen in the background and in many other areas of the exhibition
Getting involved is always on offer – playing chess on all-white boards, climing a step ladder to look at the sky, watching the sky above the Tate on an old B&W TV in real time – they are all asking us to think about art and artificality, imagination and reality and it certainly gave me a great deal of food for thought and arguments to counter those who dismniss this as gimmicks not art. Politics and collaboration are featured in the last two major exhibits. One started as a completely white painted room with a refugee boat as its centerpiece. During the course of the exhibition people have been invited to write messages in varying colours of blue felt pen so that the boat itself and the walls are covered in messages – some highly legible and frequent like FREE PALESTINE, others more intimate expressions of love. And the final room asks visitors to write messages of love for their mothers and pin them to a wall that is growing ever thicker as post-it notes are superimposed on one another.
Add Colour: Refugee Boat at the tate modern makes us all think about the worldwide refugee crisis.
MONDAY 10 JUNE
Then on Monday it’s off to Garsington Opera for a performance of Platée, an opera by Jean-Philippe Rameau I’d never seen and only ever heard extracts from. I’m quite a fan of the Baroque and even managed once to use a piece from his opera-ballet Les Indes Galantes as the soundtrack for a infant formula corporate video I made back in the 80s. I’ve been a friend of Garsington for many years now since beinhg introduced to it by my friend Susie Stranders (now at the Royal Opera House) who was music director for several years. I love the brilliantly maintained cricket pitch and the vintage coach ride to the walled garden and especially the glass box opera pavilion all among the lush Chiltern Hills. It helps that they mount outstanding productions with world-class musicians, singers and directors.
All photos above : MikeRaggett
So now to Platée with my friend Jadwiga and I keen to explore new adventures knowing little of the story except that it was the familiar theme of the Gods interfering with mortals for their own nefarious purposes. On entering the pavilion we are surprised and delighted by the set which takes the form of Studio 3 at Olympus TV – a particular delight for me having spent a lot of my professional life in such places. During the lengthy and very lovely overture a script conference is taking place where execs demand creatives find ways to boost the falling ratings of the hit show Jupiter and Juno – or should that be Juno and Jupiter as egos are involved here. There are tacky (deliberately) animations on the big screen, the occasional countdown clock that we used to hope the public would never see. There is some brilliant choreography with the meeting room tables swinging around while the creatives search for a solution and for Thespis, Momus and Thalie (Holly Brown a very convincing stomping about the set frustrated producer) as they sort out the new scenario. Now there’s, rightly, no photography allowed during the production and I’m extremely grateful to Garsington for sending me some images to illustrate this blog. Sadly none of them show the entire set in all its glory – plunge pool, colonnade, cocktail bar, fire pit and so on – so hurry and bag a ticket if you can and go and see it for yourself.
The opening production meeting in the ‘studio’ Photo: Julian Guidera
The plot is convoluted but what matters is the music. First heard in 1745 at the wedding of the son of Louis XV of France to Maria Teresa Rafaela of Spain, the main character is a none too attractive nymph with whom the team persuade Jupiter to fall in love. Given that Maria Teresa was said to be no beauty, I wonder if there were a few sniggers among the wedding guests. The tradition at the time as we know from Handel was to combine dance with the singing bits to keep the audience happy and there are long passages where you just revel in the melodies, the unusual inventions Rameau introduced in both time and instrumental effects – a timekeeping tambourine was a lovely surprise. I was also struck by his brilliant writing for voices – the trio for the three seen above was ravishing and the choral pieces were beautifully sung by the Garsington Chorus. In the pit was the English Concert under the baton of Paul Agnew who knows this piece really well having sung the role of Platée several times. They were lively and committed throughout. It is a comic opera and the music included some funny elements that were presented skilfully. So yes, Platée is a role for a high tenor making the ingongruity of Jupiter falling for ‘them’ (in modern day wokery I guess) all the more absurd.
First entrance in flippers fresh from the swamp. Photo: Julian GuideraIn full tutu and headdress ready for seduction. Photo Julian Guidera
Jupiter enters in a glitzy gold golf buggy and after a beauty parade in Love Island style chooses the dowdy nymph rather than the very pissed off supermodels who were gracing the stage with their colour coordinated wheelie luggage.
Photo: Clive Barda
Platée’s competitors parade each with accompanying on-screen graphics. Photo: Clive Barda
Special mention has to be made of the dancers who produced some spectacular displays. My eyeballs will never lose the image of them lying in rubber swim rings performing synchronised swimming moves. Nor will I forget the whole casts’ falling repeatedly asleep while waiting for Jupiter to come to the wedding and equally the brilliant staccato movement of their chairs across the set in another scene. As Platée becomes more excited about the impending wedding we have an interlude from a sparkling La Folie whose sheen and style are a contrast to poor Platée’s OTT wedding outfit.
La Folie entertains us. Photo: Clive BardaPlatée and Jupiter ‘in love’ Photo: Julian Guidera
As we drove home Jadwiga exclaimed that she’d never seen anything like it. I have to agree that Luisa Muller’s production – so different in tone from the last of her productions we’d seen here Britten’s Turn of the Screw – but so admirably suited to the harum scarum, off the wall plot and the musical twists and turns. The TV execs got what they wanted – Juno stormed in full of jealously but then saw Platée and realised that she’s been gulled and all ended happily ever after for Juno and Jupiter.
Juno reclaims Jupiter Photo: Julian Guidera
As I said in another post last week when gods and mortals mingle it always ends in tears for the earthlings. It was a cruel end for Platée ridiculed for her pretension and slinking off back to her swamp. But then life ain’t fair is it? What is fair is that, despite everything, Garsington Opera can still put on evenings like this despite the draconian cut backs to the arts. In fact they’ve just opened a wonderful facility on the site Garsington Studios so that rehearsals can take place simultaneously for different productions and sets can be contructed, wardrobe and props made, making the whole production process so much smoother for all concerned. And when not used for the company, the studios can be hired out to produce income. Thank you Garsington for another superb evening at the opera, I can’t wait to come back for Benjamin Britten’s A Midsummer Night’s Dream on 19 July.
Last days of holidays are often a bit of a problem. You have to check in for a flight by a certain time but what do you do with the time in between? In my case it’s a three hour drive direct to the airport at Palermo and I need to drop off the car around two o’clock to make the two hour check-in slot. Breakfasted and out before nine, what’s to do? I have a nerdy rush of completism. I’ve been in/by the Mediterranean Sea at Agrigento and Modica Marina and the Ionian Sea at Siracusa and Taormina but Sicily is a triangle and the long top side has the Tyrrhenian Sea. There’s a town called Cefalu that sounds interesting and that’s an hour from Palermo so I’d have the advantage of puting most of the drive in first thus reducing the get-to-the-airport-on-time panic factor. On the triangle thing, I’d been ignorant of why I keep seeing three-legged figures everywhere like the one below on airport floor tiles. So I looked it up and it’s the Trinacria the symbol of Sicily first adopted in 1282 which became an official part of the Sicilian flag in 1943. The woman is Medusa with her snakey hair, wheat ears for fertility and the three legs represent Sicily’s three capes at the points of the triangle – isn’t the internet useful sometimes.
TrinacriaA’Storia BnB
So I leave my pleasant home for four days and set off for Cefalu. The first part of the journey is a repeat of yesterday as far at Catania but then veers off through the centre of the island on the A19. The A suggests autostrada or motorway and bits of it are but I reckon 30% of my journey was in slow single file traffic through mostly invisible roadworks – the odd digger made you think some work might be going on now and then. The landscape is generally brown and pretty dull until I get to Enna where on entering the Madonie mountain chain where the massive Pizzo Carbonara (o not a duly noted) is the second highest peak after Etna. I was surprised to see a ski lift sign by the roadside but there’s a resort here, Piano Battaglia, and a further two on Etna. Then it’s a long descent towards Palermo before a side road heads off to Cefalu. I’m glad I made the detour. It’s a very pretty town in a splendid bay and therefore totally touristy – but that’s no bad thing. It reminded me a bit of the Concha beach in San Sebastian (Donostia for any Basque readers). A long promenade, colourful beach umbrellas, the fight for a stretch of the strand, warm sea and bright sun – all the ingrdients for a fun holiday. So I headed to the ‘second most important cathedral after Monreale’. It’s, of course, up a flight of steps and built in Norman style between 1131 and 1240. Like Monreale it has a lot of gold and the altar piece is a massive and incredibly detailed mosaic of Christo Pancreator. And the museum nearby has a portrait by Antonello da Messina (of Annunciata fame) of a smiling boy. He was good.
A quick coffee and then off to the car hire return place, confirm no damage to report and take the shuttle bus into the airport. As this was my first journey since the operation, I’d been a bit worried about my hip through scanners but in both instances I just pointed to it and said either “metal hip replacement” at Stansted or point at hip and “metallico” at Palermo. In both instances I had a further wand wafted over me before being allowed to proceed. I did have a photo on my phone and my hospital discharge papers just in case but they weren’t required. The flight was delayed by 30 minutes but was happily uneventful. It was clearly not a busy time but still took 30 minutes to slalom our way through passport control. My suitcase had at least arrived by then so I retrieved it, I got the Stansted shuttle bus to the long stay car park, took a few moments to realise I didn’t have to change gear any more and arrived home having had a thoroughly enjoyable holiday in Sicily.
So Thursday dawns bright after a another horrendous Sahara storm in the night which has left the car looking like a Damien Hirst dot painting with sand blobs or a negative Dalmatian dog. The washers work, I can see out safely and set off. I decided to head for Taormina up to the northern part of the Ionian Sea nestling under Mount Etna, Sicily’s pride and joy. A bit like Fuji in Japan, Etna imagery is everywhere and it happens to be a very good wine DOC. I’m not going to do the many tours on offer. But she looks great from the road, (it should be said there are frequent stop areas so no driving danger involved).
Movie stars, models, la belle monde have made Taormina the playground of the rich and famous since the days of the Grand Tour. I was intrigued by a Monty Don BBC series about a garden made by the Brit socialite Florence Trevelyan. The best way there is up the motorway past Catania – a place I’ve decided to omit from my trip as it looks like a sprawling industrial city – actually Sicily’s second biggest. What the road does do is give great views of Mount Etna.I bypass Catania, the second largest city as I think it will be too much for the last of my days here. From the road it looks like an enormous sprawl as the Catania plain floats into the sea. Taormina looks much more attractive, after all Wagner visited in 1881 and said “We should have fled there in 1858 and spared ourselves many torments. The children could have lived on prickly pears!” It proved a haven for Oscar Wilde when he was too gay for Capri. The composer Ethel Smythe spent time here as did D H Lawrence. I don’t have Sky Atlantic but I believe series two of White Lotus was filmed here so it must be worth a look. Giulia does a great job getting me to the gardens I was seeking but of course there is nowhere to park and I descend back to the seafront some two hundred metres below. Following my Ragusa experience I look for a hop on hop off bus to take me back up. From a sign on the exterior, there’s supposed to be an Tourist Information point in the elegant station but there isn’t, not even a closed window. I wonder for a moment if I should have come by train. I enquire of a taxi driver who says he’ll take me up for 50 euros which I politely decline, have a wander along the seafront and have a coffee to think about things.
The station at Taormina and a cove and beach.
Eventually I decide to drive back up and hope a parking space opens up. I’m amused by Giulia’s instructions to take ‘via Luigi Pirandello’. I think whoever was responsible for street names had a great sense of humour. This street from lower to upper Taormina is a hair-raising, gear-changing succession of hairpin bends – with as many twists as Pirandello plot.
The centre looks very crowded and touristy and I let her take me straight to the gardens again. They were created by Florence Trevelyan who came to Taormina after – rumour has it – Queen Victoria exiled her after an illicit affair with Prince Edward. Whatever she built a house near Taormina’s Greek Theatre, She married Salvatore Cacciola a doctor and sometime mayor of the town. She also bought the small island Isola Bella and a large expanse of land up in the centre where she laid out a private leisure garden with views of Etna and a whole host of follies (a feast for my folly guru Gwyn) which she called her ‘beehives’. They are in many different shapes and sizes and made from a variety of stone, cloth, brick, pipes, wood and other architectural salvage. There’s also a war memorial formed by an Italian wartime two man submarine, her own henge and lots of bougainvillea (one on the move?), sunflowers and fragrant plants.
Time for lunch and where better than Ristorante al Giardino? I happen to be wearing my Murakami T-shirt today (a story from another day here). It elicits an admiring comment from a couple also dining there. I tell them the story and we have an intersting conversation during which Lilian – who I think said she was from Chicago – and her companion express an interest in travelling to Japan so we chat even more. They move on and my sea bream in lemon sauce arrives with a glass of Etna Catarratto – perfect. I explore the town a bit and then head back to find my car. From up here have a great view of the station from above – glad I didn’t come by train and try to walk up! – posh dolce vita hotel and the beaches I was walking along earlier. It is a truly spectacular coastline and I can see while it appealed to so many in the belle epoque and to producers of glitzy TV.
As I set off back down the A18 I think of making a slight detour to a town the sign for which I’ve seen a few times as I pass. Augusta is the very pleasant capital of Maine. I think there’s another where people play golf. So when I see a sign claiming it as the city of two ports I visualize myself sipping an evening beer watching activity in a quaint harbour. Fat chance! After a rigorous exploration of the terrain I discover that the two harbours are #1 Military and #2 oil terminal complex. Tail between legs – back home!
Augusta – Intersting town gate, military harbour and oil refinery sprawl.
My evening beer is in the brilliantly named Civico Maltato (the malted city) near the amazing cylindrical church of St Thomas of the Pantheon where the setting sun catches the stained glass dramatically. I had food left over from last night’s culinary efforts so it’s back home to eat and pack.
So after a local day yesterday and still glowing from last night’s theatre trip – I know family and friends have seen opera in Verona but this was a first for me and was just astounding – I planned to venture south to Noto and Ragusa both highly recommended both by the book and Gwyn and Von. Giulia Googlemappa took me on an interesting route when I’d clicked no motorways. It wended its way through flat areas near Siracusa with citrus fruit and olives, gradually segueing to slightly more upland areas near Avola of wine DOC fame where slopes were covered in poly tunnels and black and red vine protection nets. Necessary eyesores I suppose but not pleasant companions among rural roads fragrant with rosemary (I nicked some for later) and other odours.
I could see that Noto was a seriously hilly town so I made my way quite a way up, found a parking spot, shot the street name so I could find my way back and set off up to the centre. My first encounter in a pleasant, not quite yet awake square, was the Chiesa di Santissimo Crocifisso. I mounted its steps and entered a really splendid space. Apart from the church itself there was a pair of Roman era lion sculptures which used to be outside but were moved into the nave in 1984 to prevent further environmental damage – early onset climate change awareness, perhaps.
Church exterior and interior and the very friendly lions.
Walking around in 32 degrees brings on a thirst but as I’m driving and it’s only 10:30, I settle for a granita. I’d had it explained somewhere that the granita started in Sicily because they brought down great blocks of ice from the mountains to preface the refrigerator and a bright spark said we can make money out of this. Siracusa lemons are also highly regarded so I was honoured to receive this refreshing dish – served with a spoon rather than in a glass with a straw as in Spain. Off to find the cathedral and town hall both must-see buildings in a town where at every corner you are stunned by the architecture and the expense of constructing these palazzos.
A random palazzo of which there are so many.Noto Cathedral.
So of course there are more steps up to the cathedral and from the top I look back at the town hall which was built in 1746 in a style ‘inspired by French palaces’. Well just wow. Twenty arches on thin columns defying gravity. I prefer the baroque cathedral of Saint Nicholas myself from1776.
Inside the cathedral I was able to have a moment of levity with my grandson Jake by WhatsApping him a pic of his namesake suggesting he was praying for good A level results – pre-university entrance qualifying exams for those not familiar. Poor Jake some of the worst exams of your life. But you’ll be fine, I’m sure.
I think I could have happily spent more time in Noto, but Ragusa called. The drive there was exhilarating through undulating foothills and then into switchback roads through Modica and then into some real valleys, nay gorges Agrigento, as we approach Ragusa. It’s perched across a hillside and gave me a first problem. Note to self number whatever by now: be precise with Giulia delle mappe. There are two Ragusas and she takes me quite logically to the one where you can drive, park your car and enjoy a bland modern city. However I need to be in Ragusa Ibla further across the hill. Two towns joined by a staircase threatens the guide book. I follow brown Ibla signs and being turned back by a cop at a another road sign that said ‘city centre permit holders only’, I do a U-turn and find a convenient parking place and start to walk up into the real Ragusa. At first sight it reminded me of Deja in Mallorca clinging to its hillside. However this was a really big hillside and after 170-odd steps with a few bits of level in between I seem nowhere near reaching the centre. I also missed my footing a couple of times as the steps are uneven and recalling a broken elbow in Mallorca and my daughter’s admonition “You are old” I regretfully abandon Ragusa, retrace my steps, carefully, back down to the car and head off back to Modica for lunch. This may be a major regret of my life as Ragusa sounds amazing. Tant pis! I am old!
Ragusa cathedral, as almost an abstract painting and from a distance!
Sitting with a beer and a ham and mozzarella cannoli in Modica, feeling a little crestfallen let’s admit it, two thoughts occur to me: Italian pastry is very stodgy and I’ll avoid it in future – understand it’s role is to be filling while hiding the fact that fillings are the expensive bit while flour and water are plentiful, Second I’m on holiday on an island and while I’ve seen the sea I’ve not really been that close or indeed to the seaside. So Giulia is tasked with taking me to Modica Marina which sounds like it should be on the coast. It is and it’s lovely. Free parking until the season kicks in on June 25, a sandy beach and a promenade which I guess would be filled with eateries when the season starts, and aloo. I sit on an bench for an hour and read Colm Toibin’s fabulous sequel to Brooklyn, Long Island. I’m biting my nails with the jeopardy at every turn. What a writer! This is what holidays are meant to be. Eilis takes a dip in freezing Irish Sea in the chapter I just finished.
Beach and promenade at Modica Marina and yes there were lots of people swimming – well a few.
Encouraged by this I took myself to the strand, removed my shoes and exposed the wounded Birkenstock toe to the healing influence of the warm and salty Med. Seems to have worked as it’s not leaking stuff anymore. Now I’d said to lots of people I was booking a BnB in Siracusa so I could market shop and cook one night or so, because I love markets and regret not being able to shop because I’m in a hotel. Well Monday I’d just arrived, Tuesday was the theatre trip and a huge lunch so now looked like the tine. A local supplier allowed me to purchase one potato (cubed and fried in olive oil with the rosemary I’d knicked), an aubergine, a pepper and he had a piece of pork fillet (unusual in Sicily) an attractive option after an almost entirely, and happily fish diet, it seemed a good idea. I cubed the pork and made a mini-ratatouille with the veg and enjoyed it with the only possible wine since I’d driven through Avola in the morning.
So it’s Tuesday and Syracuse. I’m booked for Fedra at the Greek theatre at 19.30 so decide Ito spend the day doing a tour of Siracusa’s famous island Ortygia. There are two bridges onto the island and the main street close to my apartment, Corso Umbero I, leads directly to one of them.
Confronted almost immediately by a cat on a hot car roof, I have to head off the way it’s pointing. So I go there and admire the ruins of the Temple of Apollo – grey not the golden stone of yesterday’s ‘Valley’, but impressive in scale. And it dates back to the sixth century BCE.
Apollo’s temple remains and the arch I loved.
I walk on through the Jewish quarter, cursing Netanyahu for giving them an undeserved bad name, and find myself enchanted by a tiny church (San Paolo I think) with a magical Catalan style multi-column arch – just so elegant. As I pass through the narrow streets I am often lured by planting displays into dead ends – hey, that’s discovery! I emerged at a seaside street and opposite was a building that made me think I’d chosen the right BnB.
Shortly after this, as a self-styled writer, I was intrigued by the Museum of Papyrus. Yes I known it’s importance and Egypt and all that but why in Sicily? So I have to go in and find out. It transpires that in times past papyrus plants came to Sicily as part of conventional trade deals and found a home on the river Caine, where it has flourished. It’s not just a museum it’s a whole research centre into papyrus ancient and modern with rooms stacked with files and specimens that we could not enter. But where we could go was fascinating with a video tracing Carrado Basile’s fascination with all things papyrus, the production process and examples of works on papyrus from many different centuries. And of course they had papyrus boats which I had heard of before. I was particularly struck by an ancient Egyptian palette and pens.
After an unexpectedly interesting hour and a half (always keep an open mind!) I walked on around to the easternmost point of Ortygia but I couldn’t see the mainland., but the sea was good and the prospect appealing.
It proved even better in that a bar with a beer was close by and restored me to walk into the main square in quest of Caravaggio. One of his paintings The Burial of Santa Lucia is in a church here. It isn’t, but there’s a technologically brilliant facsimileinvolving hi-res scanning and 3-D printing. It’s in a room with a modern take on the subject that I liked for it’s expressionism and a photographic tableau recreation that was quite scary.
The ‘original’; detail of Lucia, modern response and detail from photo recreation. Chiaroscuro lives!
This church dedicated to Lucia the patron saint of Sicily is at the edge of a very impressive main square with the cathedral and of course lots of restaurants, It’s a fine cathedral too.
Chiesa Di Santa Lucia; the main piazza, Cathedral frontage and amazingly original Greek temple columns incorporated into the Christian cathedral. I’d never seen this before.
It’s time for lunch and I take it back by the other bridge off Ortygia, A seafood mixed grill gives me two enormous prawns, octopus tentacles (sorry!) and a squid and a slice of swordfish, full stomach, oily fingers and a good local crisp wine to set it off,
Next step was to book a cab for the Teatro Greco and sadly do some laundry. I’d packed a few pairs of pants and a couple of tops too few. The dryer on the balcony was struck by a Saharan sand storm in the night so I had to do it all again next morning. Reassurance – I do have clean pants.
But the theatre visit was incredible. Loads of young people thronging their way in – set book at school? The amphitheatre is a stunning semicircle and despite the cushions (thanks) you can still see much of the original stone seats. It gradually filled up.
I had an interesting exchange with a group of young women who asked whether I’d understand a word. I told them I knew the story and loved theatre and wan’t going to pass up a probably once-in-a lifetime experiences. They sang Happy Birthday to me and we were friends for the duration – I did feel a little uneasy as an 80 year-old among teenagers but soon the play was the thing and we all became absorbed by a production directed by the Scottish Paul Curran. And what a production! A huge godhead formed the main set dressing, otherwise mostly scaffolding, A mix of wafty mauve-tinged shifts for the chorus, dramatic yellow for sad Oenone, black for Fedra and an amazing gold outfit for Aphrodite. The opening Chorus scene was a great dance routine The opposing armies were in rescue services hi-vis gear and helmets.. And as so often with Greek drama it all ends in tears and cheers. The audience stood as one at the end to salute the performers,
Never was going to end well but brilliantly performed with size of auditorium and fading light to contend with – so glad I went.
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