A quest for the locations in the novels of Haruki Murakami and other travel musings

Culture crash

Well I usually only blog when I’m travelling and this was going to be about a planned trip to The Hepworth Wakefield, Ian Prowse’s Mersey Hyms gig at Appletreewick in the Dales and the Yorkshire Sculpture Park, where there’s an exhibit of works by Yukihiro Akama – one of which I was given as a birthday present by Dee in 2015 according to my meticulous (nerdy) records of art we own .

What is brilliant is that they are all carved from a single piece of native English wood (oak in this case) and signed underneath. The chance to see a major exhibition of his work in Yorkshire where he’s lived since 2011 after being trained and working as an architect in Japan, combined with these other cultural events and staying in Bradford with our friend Graham was a great excuse to head north.

The week started well with a visit from our friend Daisy Scott from Boston. We first met and worked together in 1994 on an English language project for the publisher Longman, so a thirty-year friendship called for a celebration. But then disaster struck. When deciding on a title for this piece a number of puns occurred: Cultural Awokening; The Tripping Point; A Bridge to Fear; Anatomee of a Fall and so on since the week was curtailed by me catching my large left foot on a paving stone on the Hungerford Footbridge across the Thames, getting a serious gash in my forehead – again! – and taking Daisy for a new but non-cultural experience – a visit to St Thomas’ A&E (Emergency Room for her). I later emerged looking like this:

By this time Daisy had left after looking after me extremely kindly. Let me add some context to all this. On Sunday we had a Sunday lunch in the Queen’s Arms in Kensington, probably annoying the patient staff by taking far too long with catch up chat to order any food. But we did eat well and then went to see the Yinka Shonibare exhibition at the Serpentine Gallery. I’d known his work from other galleries and the fourth plinth in Trafalgar Square but Daisy knew nothing of him at all. We were both completely in awe of his creative imagination and power and the technical command of the technicians in his atelier to put such an amazing show together. Check it out from the link above and if you can get there – GO!

We had arranged by email to do a theaterathon (AmEng spelling works better) on Wednesday before Daisy flew back to Boston on Thursday. It was to start with lunch at the Union Club where Dee and I took Daisy many years ago but which is always a delight. We met there, ate well and started our thespy adventures by walking to the Theatre Royal Haymarket where Daisy in the States had managed to get two tickets for the utterly sold-out Portrait of Dorian Gray with Sarah Snook of Succession fame, She had warned me that we were in the gallery and needed to climb 65 steps to get there – a good test for the hip. Because we were going to be so high up I’d brought opera glasses – we had his and hers from the Royal Opera house in red velvet bags and I gave Dee’s to Daisy as a gift which she received with some emotion – they were great friends too,

In the event, the stairs proved doable as people were moving quite slowly and the opera glasses redundant as the whole perfoprmance is a mixture of theatre and live television with images displayed on a number of large screens around the auditorium. The sheer brilliance of Snook was matched by the choreographed balletic movements of the camera technicians, make-up artists, prop, wig and costume handlers who shared the stage with the actor who played 26 characters without breaking step. I was relieved I wasn’t vision mixing the feeds from on stage cameras with pre-recorded clips in a seamless two hours that flew by. The story might have got lost in the pizzazz but it didn’t. The production and her performance were truly phenomenal and it was very gratifying to see her call all the techies on to share the curtain call. We descended the steps light as air and proceeded to make our way to part two of our excursion buzzing with excitement at what we’d just seen and marvelling at how it had been achieved.

We had ample time to stroll across Trafalgar Square, through Charing Cross Station and use the eastern side of the Hungerford Foot Bridge to head for a cuppa and then the National Theatre for The Underdog, the Other, Other Bronte. And that’s where it all went wrong. The aforemention trip occurred – no alcohol involved yet as we didn’t want to fall asleep in the plays – and the day descended into (literally) a bloody mess.

Daisy was an absolute star, failing to panic, prodiucing tissues and keeping me talking to check I wasn’r concussed. We were soon joined by a group of passersby who gave my faith in humankindness a massive boost. Another Daisy – tall and curly haired rather than short and with cropped hair – rapidly called 999 and was giving them information about me and the accident when a women in a striking red dress bent down beside me and said “I’m a doctor. I’m from Belfast, I’m here for a conference. Let me have a look at you.” and then: “That’ll need stitches.” Daisy S was now the possessor of a pharmacy worth of wet wipes, tissues, plasters all handed over by concerned tourists and locals. I had by now assumed a sitting rather than a sprawling pose and was helped to my feet by two gentlemen each with a arm under my shoulders. We thanked everybody most warmly and assured them that we would be fine getting to A&E. So many kind, concerned and helpful people! My big worry was that I might have smashed my new hip but I was able to walk quite freely off the bridge down the steps past the Festival Hall and find a taxi to take us to St Thomas’ Hospital. The driver demurred at first: ” There were others looking for me … ” – then saw my face and said “Get in!”

There was a queue of about fifteen people waiting in and outside the A&E entrance and I pushed my way to the triage desk with apologetic hand signals and, I’m pleased to say, encouragement from those in line. We waited a few moments, gave my personal details and described the accident and were then directed to the Urgent Care Centre where Annabelle cleaned up the wound, let me wash my bloody hands and arms in the sink, put a temporary dressing on the gash and sent me to wait for treatment. One of our plans for our early arrival at the NT was for Daisy to find a quiet spot and good wifi to have a video call to her husband Jerry back in Boston as they’d been missing each others’ calls. There was a conveniently vacant children’s area where Daisy managed to connect and also brought the phone so Jerry could admire my wound and say Hi. As time went by I despatched Daisy to the National so that one of us a least saw the play. She later reported that we’d seen the better play in the afternoon. I might still catch it one day although I have a lot of outings in the coming weeks

When you are in it the NHS is just so excellent. I think I was probably waiting for about 90 minutes before Amy called me in and was such a calm, efficient and friendly nurse pratitioner who cleaned me up fully, gave me a full concussion test, told me I had a build up of ear wax while checking my vital signs and then put in the six neat stitches you saw at the top of the blog. We had such a relaxing conversation about all sorts of things and I just pray – and will vote in such a way – that the NHS which can give me a new hip and make me feel safe and better after a stupid, self-inflicted accident is rescued from the predators.

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Last day observations

Despite not being in the best of health throughout, it has been a great stay in this wonderful city. I’ve visited familiar places and several new ones, heard great music and seen amazing art. I need to catch a train from Passeig de Gracia around 14:30 to get to the airport in good time for security and check in so decide to forgo further wide exploration today and walk about other part of the Eixample. Apart from the Berasategui restaurants, there are other reasons to come back – I didn’t do the ‘immersive Dali experience’ at IDEAL, the Digital arts Centre, I didn’t get to the European Museum of Modern Art and of course I’d love to go to the Liceu Opera house again to hear something to my taste performed.

One of the things I love are elegant shop signs from the golden age. Dee had an obsession with door knobs and knockers, mine is with shopfronts. Dee also loved hat shops so there’s one here for her! I collected a few more this morning as I strolled the nearby streets. It’s a little more cloudy today but still pleasantly warm although down a bit from yesterday’s 22 degrees (that’s 72 Daisy).

I also snapped a few more of the elegant houses that jump out from the streets at regular intervals. It’s a city where you need to be sure to look up as you walk through the streets.

But I needed to look down at the top of the Passeig as I came across this excellent manifesto which is something that as a sort of creative I feel very strongly about. It’s set in the pavement outside a Barcelona city office.

Just round the corner at the Palau Robert a poster for an exhibition reminded me of a day in the spring when Frances, Rosa and I went to see Pedro Almodovar’s Parallel Mothers. Alongside the usual convoluted emotional stories of two women, he finally addresses the horrors of the Franco era. The film involves a search for the body of a great grandfather in a mass grave. The poster examines 85 years of trying to reunite families with lost relatives. So far of the 114,000 ‘disappeared’ only 19,000 have been recovered. As Almodovar said in a Guardian interview, ‘Now is the time to remember Franco lest his victims be forgotten’.

Inside the Palau is a much happier image – Barca’s first heroes. There are displays of other sports – boxing and motor sport very popular – and fashion during the early part of the 20th century. This is the 1919-20 season team that won the Catalunya championship as well as that of all Spain. The caption claims that the 20s was the decade when football became a mass popular sport.

Sipping a last beer before boarding the train I noted that at none of the bars I’d been to had I been offered the little complimentary dish of olives, crisps or nuts that had been common on previous trips. Now whether this is a factor of the cost of living crisis or just a metropolitan thing I’m not sure. Certainly the news programmes were filled with analysis of the government’s crisis measures – reducing VAT on food staples, capping fuel prices and handouts of 200 euros to those most in need as well as some measures to encourage businesses to recover. I didn’t find Barcelona quite as depressing as London from the point of view of rough sleepers and boarded up shops – but I was in a rather posh part of the city for most of my trip. And as I descended to the train station my last view was of Gaudi’s brilliant Casa Mila known as La Pedrera (the stone quarry). It was his final civic architecture before devoting his life to the Sagrada Familia. A fitting end to an excellent week in this great city.

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A day on Montjuic

I so enjoyed my visit to Miro’s studio in Mallorca last year that I decided to visit the Fundacio Miro in Barcelona. It’s situated up on Montjuïc the mountain where the Olympic Park was in 1992 and which continues to be a tourist attraction. Three stops on the Metro to Parallel and the the Funicular up to Montjuic.

It was a disappointing trip compared with the ones in Bilbao, Budapest and San Sebastián in that it’s almost entirely in a tunnel with just occasional sights of scrappy play areas and none of the vistaS across the city I was hoping for. However, a few steps from the top of the funicular, my wish was granted with this view dominated by the magnificent Sagrada Familia.

On the way to the Miro Foundation was a sculpture garden with some of the worst signage I’ve ever come across – tiny aluminium stakes with titles engraved – totally illegible. At Miro, things were handled much better. There is a huge collection of paintings, sculptures, tapestries and found objects displayed in spacious galleries. I’m glad I’d been to the studio in Mallorca to get an idea of Miro’s working methods. It’s also good to see that artists who choose to follow a different kind of visual vocabulary are well grounded in basic draughtsmanship.

Exterior, an early portrait and two more typical Miro painted works.

I particularly love his amusing sculptures from everyday objects. As a not-very-royalists person I was much taken by King, Queen and Prince (below right), the huge (nearly 6 metres across) Sobreteixim with eight umbrellas and the dramatic use of a coat hanger.

Another artist provides a fascinating object here. Alexander Calder was the only non-Spaniard invited to contribute to Spain’s pavilion at the 1937 Paris World Exhibition. Alongside several Miro canvases, Picasso’s Guernica, Calder’s Mercury Fountain was seen as a further protest against the atrocities of the Franco regime including the attack at Almaden the town that provided a substantial quantity of the world’s mercury. Calder donated the sculpture to the Miro Foundation and we view it from behind a glass screen since the toxicity of mercury has been discovered. Funny thing is the Egyptians knew about mercury too and thought it chased away evil spirits – may have killed some of them too.

I had a coffee in the cafe before continuing my walk along Montjuic. I was heading inexorably to the National Art Museum of Catalunya, which I had told myself I wasn’t going to bother with on this trip. I remembered, bothwith the children ages ago, and with Dee more recently standing on its terrace on a Friday evening eagerly awaiting the magic fountain’s display. No use waiting for it on Wednesday afternoon. I do remember it as quite spectacular with water jets synchronised to different music genres at different times and changing colour appropriately. Looking down at it brought back good memories. I then thought ‘Well I’m here, it’s free with the Barcelona card so why not?’.

Looking down towards the magic fountain and the National Gallery.

The majestic central dome covered an area in which there were easels for wannabe artists and a fabulous soft play area with kids swarming all over. If that what it takes to get folk in and keep galleries alive, I’m all for it.

I decide to eschew the old masters which I have seen before and head for the modern floor upstairs. Neatly divided into four areas it shows the development of Catalan art from the turn of the century to the present day. In the very first gallery devoted to modernisme, what did I see but the actual dining table Gaudi had designed for Casa Battlo.? There were lots of beautiful wooden, glass and metal objects in that fluid style.

As I progressed through the galleries I saw works by familiar names like Rusinol, Sorolla and Picasso. I was especially taken by a cunning Rusinol self portrait. Look carefully!

In the next room I was introduced to the work of a female photographer Mey Rahola who shared a love of sailing and photography with our friend Joe Weiler in Boston. She was lucky to be around at a period 1934-36 when it was OK for a woman to engage in such pursuits. The Civil War put and end to that as she went into exile in France but had developed her own documentary style and continued to take photographs professional during the Second World War.

A new set of rooms for 2022 are devoted to the art of the Civil War period and range from propaganda posters, depictions of the horrors of war reminiscent of Goya – one wall of etchings reminded me of Los Caprichos. It’s interesting to see how Spain is re-evaluating the whole period that was so traumatic for so many. When I raised the refugee elements in Isabel Allende’s book with Rosa and Pepita over lunch Pepita didn’t really want to discuss it as, although born after the end of the war, so much of her childhood and early years were shaped by it. One of Rosa’s video installations Lost was on the subject of babies stolen by the church during the Franco period. It casts a long shadow.

Memories of Goya – a series of etchings and *Mass execution in the bullring at Badajoz* which reminded me of his famous *Third of May.*

Enough gloom. Back out into the sunlight of Montjuïc and a walk through the Botanic Garden towards the Olympic Stadium where a convenient bus arrived and took me back to the funicular. A little later a further trip to the Cerveseria rounded off a thoroughly enjoyable day up above the city.

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Ancient and modern

My children returned from a trip to Egypt raving about it and insisting it be added to the bucket list. When I mentioned this at lunch on Boxing Day, Pepita and Rosa who had both been and loved it, suggested I visit the Museu Egipci in Barcelona. My visit to the Sagrada Familia was booked for 14:30 so what better way to spend the morning? Also it was directly along Calle Valencia a left turn out of the hotel. It proved very rewarding. As all had said, the time zones are astounding. Craft, writing, tools of such complexity 3000 years BCE do blow the mind. Yes some of the names are familiar – Rameses, Ptolemy, Cleopatra, Tutankhamen – but how do they relate? The museum is small, on three floors of a town house, but highly informative with several modern x-rays conducted with Imperial College in London and others to analyse what had been collected over the years, by Howard Carter among others. These showed levels of skill that are mind-blowing given the eras involved. Quite a civilisation! Bucket list duly updated.

The entrance, their prize mummy from 2300 BCE, a fabulous model corncrake, limestone relief of Ramses II, an early castanet, necklace in lapis and gold from 1500 BCE and the most magnificent carving of a (supposed) God – because of its quality.

I headed off along Calle Valencia in the belief that this would bring Me to, or close to the Sagrada Familia. To my delight I found another local market on the way and decided to have an early lunch as everywhere near the basilica would charge a premium. I’m not entirely a cheapskate but don’t like being ripped off. I had a very fine fish soup with pan con tomate and was equipped to revisit the icon of Barcelona after a good many years. I first came when the children were young and we could roam among the half constructed towers, then later with Dee while they were still hoping for investment to finish it, probably ten years ago. As a deeply religious man, Gaudi would probably appreciate my OMG reaction on stepping inside. The nave is finished – it’s not open to the sky any more. The stained glass is all in place and it looks magnificent. Only once back outside do you see the tell-tale crane and realise that some of the towers are still to be finished. But they say it’s on track for 2025 only 135 years after the foundation stone was laid.

Various aspects of the interior, a recreation of Gaudi’s workplace in the crypt and a portrait bust of the great man.

The exterior is equally brilliant with enough religious and natural symbolism to fill several volumes – available in the shop of course. But here are some of my favourite elements.

Having walked all the way there, I took the Metro back to Passeig de Gracia, put my feet up for a while in the hotel and then headed out to the Gastropub Obama – yes really – for a light supper. Claims to be British American but the most prominent beer on offer is Guinness. It was fun but the Cerveseria Catalana gets my vote for the best place in the area.

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Culture magpie

So Friday morning begins with a trip to El Corte Ingles to secure a USB to lightning cable. I don’t think I’ve ever been to Spain without at some point setting foot in the country’s prime department store. It delivered what I needed on the seventh floor – escalators all the way I’m pleased to say. Next on the agenda was to follow the advice given me on Wednesday evening and book a guided tour of the Palau de la Musica Catalana – all sorted for 11:30 tomorrow.

Next stop the Museu Picasso Barcelona – also free with Barca Card but they make you get a paper ticket from the box office as well. I’ve been here a couple of times before and while there’s always a good selection of Picasso’s paintings, prints and ceramics there is a major exhibition as well. This one is devoted to David-Henry Kahnweiler the German born dealer, collector and patron who did much to launch the careers of Picasso, Braque and Juan Gris.

Kahnweiler was quick to spot the movement that would become cubism and established a tiny gallery (four square metres) at the age of 23 where he exhibited early works by the then unknown Picasso, Braque, Leger, van Dongen and Vlaminck. He was friends with all of them and made good sales to kickstart their careers. As a German he had to go into exile in Switzerland during the First World War. He was considered an alien and his entire collection was sold by the French authorities in auctions at the Hotel Drouot. The sale catalogues make for interesting reading and a comprehensive listing of early twentieth century art.

Picasso sketching Kahnweiler, one of the photos in the exhibition.

There were works by many of his protégés and details of weekly soirées at Bourgogne-Billancourt where he entertained artists and potential purchasers. Picasso once wrote, ‘Where would we all be without Kahnweiler’s sense of business?’ I found it all fascinating, so much so that I took no photos – sorry. That is until I came to the huge room devoted to Picasso’s deconstruction of Velazquez’s Las Meninas. He made a series of over 50 paintings in which he analysed and recreated aspects of the famous work. This is my favourite. I love his self-portrait at the bottom right and the dog and the use of many images of his familiar iconography that find no place in the original.

After nearly three hours it’s time for some lunch. Everywhere in this area – the Born – will be expensive as it’s a major tourist attraction. However I find a corner in a popular venue and emerge refreshed. The Messi shirt shows that Argentina’s captain is still much loved in Barca. I was also surprised to find a flight of Japanese kites in an adjacent courtyard.

A few metres along Calle Moncada is a Museum new to me – MOCO. It has a branch in Amsterdam and opened in Barcelona in 2016 and I haven’t been here since before then. It’s devoted to MOdern/COntemporary artworks and features Keith Haring, Julien Opie, Damien Hirst, Dali and Banksy as well as less familiar local names. I did take a few photos here.

Dali, Banksy and a three layer asynchronous animated video wall that took my fancy.

As I’m quite a way down in the old part of the city I think it’s time to see the sea – well at least Barcelona harbour. As it’s Christmas time there are lots of tacky amusements on offer spoiling (for curmudgeonly me) a stroll along the waterfront. But there are some highlights. Graphics have always been wacky here since the Olympics, there’s always one seagull that won’t conform and I enjoyed the peace of the sun going down across the harbour looking out to the World Trade Centre where we filmed material for a promotional video for the Direct English franchise several years ago. All of course under the watchful gaze of Cristobal Colon.

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Tapas and Tapies

So refreshed with my tapas in the Cerveseria Catalana and buzzing with my visit to Casa Battlo, I thought it was time for a bit more art exploration.

As I came from the station to the hotel on my arrival I had walked past this fine building with its wild bird’s nest hair. It’s the Antoni Tapies Foundation. I’ve seen Tapies’ work in other galleries but thought I’d take a look. Entry was free with my trusty Barcelona card so even more incentive. There were two exhibitions – one showing Tapies’ increasing use of varnish to affect the outcome, the other to Bruce Conner of whom I confess. I had not heard.

My first surprise was that although the building looked like it would be a gallery, I had to descend a flight of stairs to get to the subterranean exhibition space. Excavating basements may be popular in London now among the wealthy, but Barcelona has clearly been doing it for ages. As well as this space, I’ve walked past loads of Parkings with precipitous descents to way-below-street garages – glad I didn’t rent a car this trip as entrances are frighteningly narrow as well and I did recall wedging a Transit van on the way into a car park right beside the Callao metro station in Madrid while on a shoot there some years ago.

The Tapies space itself was light and airy with a suitably small number of paintings and objects displayed. They covered 30 years of his work from 1958 when he was awarded the Carnegie medal for painting, to 1988. I liked in particular his surrealistic deconstructed chair and several of the sinuous marks he’d made with painting and overlaid varnish. And of course there’s always the coarse one – he had a thing about the black letter X. Have a look.

The other exhibit a further floor below was of work by Bruce Conner who’d escaped me but according to the descriptions on the wall was ‘the father of the video clip’. There were nine films in all ranging from three to fifteen minutes. The first was a horrific observation of the Bikini Atoll atomic bomb test, the next a sequence-shifting report on the assassination of JFK. Others were lighter – a piece called Looking for Mushrooms with music by Terry Riley,a noted consumer of same, so was all kaleidoscopic, psychedelic monochrome magic. Others used animation and effects considerably ahead of his time. I’m not always a big fan of video installations as art but these were eye-opening and thought-provoking. They also covered the period 1958 to 1976.

I stopped off at a supermarket on the way back to lay in beer, wine and brandy for the week ahead. Dee and I always liked a drink in our room to gather ourselves before going out to eat and old habits die hard. As I started writing the first blog I realised that I’d forgotten to bring the charger for the iPad mini on which I write, so scribbling would have to wait for tomorrow. So I got to my fine pigs’ cheeks a little earlier than might have been.

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Music of the stairs

One of my reasons for choosing to come to Barcelona this year was to visit Gaudi’s famous Casa Battlo. I became friends during the year with a young composer Dani Howard who had composed the tracks for the guided audio tour of the house and I was keen to see inside the amazing building and hear how Dani had responded to her brief. The hotel has a breakfast buffet but I went in quest of something simpler. Opposite Casa Battlo was a Santander Bank work cafe which I thought I’d try. Result too, as Santander account holders get a 30% discount, so it was a very cheap juice, coffee and croissant. Loads of other industrious people were poring over laptops, negotiating on the phone and working hard. Interesting idea.

The Santander Work/Cafe andCasa Battlo exterior

The first part of the tour is in the basement in a Yayoi Kusama style mirror room. You step onto a moving metal platform and make a large circle through projections of the architect himself slumped exhausted among his drawings and the objects from nature that inspired his designs – fish, shells, mushrooms, rock formations. This is accompanied by a very watery track, whooshing waves mixed with orchestral sounds and set a theme for the tour which likens Gaudi’s structure to a section through an inverted ocean – I didn’t write the script!

The tour proper is guided by a tablet with sixteen icons to select when you enter a room with that sign and commentary and music play. I absolutely love the building – the innovative elements, gorgeous woodwork, wrought iron balustrades and typical Gaudi trencadis – the patterned facades we usually call mosaics which combine broken tiles, glass and other materials making Gaudi the great recycler. I’ve added a few images from the house but it’s very tactile as well – you need to be there.

The atrium , wonderful early phone, lovely eccentric door and internal watery stained glass.

The house is tall and has this fabulous double atrium from floor to skylight flooding it with light – a very clever touch. So the the tour heads inexorably upwards until you reach the roof with great views over the city. As you mount each flight and select the next images so Dani’s music changes to fit the atmosphere and function of the room you’re in. It is wonderfully varied – simple piano pieces at times, what sounds like a marimba and cello rippling away for another but generally fully orchestral and often choral themes that work extremely well. The huge uplifting crescendo for the top of the stairs gave even my weary legs a jolt of energy. I think there’s a Battlo Suite for concert performance in there – rights permitting of course. The great thing is that the orchestra at the recording was under the baton of Pablo Urbina, now Dani’s husband.

Water supply on the roof and *trencadis* flower pots on the patio

After a few moments contemplation on the roof marvelling that the large structures were in fact the house’s water supply we descend through another work of art. What was once the fire escape has been transformed by the Japanese sculptor Kendo Kuma who has draped the walls in swirls of aluminium links of chain mail which are aesthetically pleasing and highly tactile.

You exit through an immersive screen cube with projections of Gaudi icons and responses by artist Refik Anadol. The website suggests an hour and fifteen minutes – I went in at 11:00 and out at 13:30. House and music in utter harmony and I even made it up and back downstairs. I’d heard of the nearby Cerveseria Catalana and thought that would be a good option for lunch. Hah! Why I’d heard of it is that everybody else had, so I waited a little less than the threatened twenty minutes – it sometimes helps being just one – and enjoyed the amazing atmosphere and some great carved ham with a beer and then a glass of Verdejo with some anchovies and padron peppers a combination I’d not had before.

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Tourist or traveller?

Excuse the philosophical start to my Barcelona trip but my friend Frances has just come back from a guided tour in Vietnam and Cambodia which she thoroughly enjoyed. Over a few beers with Graham in Liverpool last weekend we talked about the difference between travelling and touring. As my family and late wife will attest Raggett holidays were always travelling. Planned by me, booked by me and executed, however badly, by me. But as age creeps on it made us all wonder the time for a bit of organisation by others might be timely. Graham’s fear was that he’d find himself in a group of Daily Mail reading Brexiters and be most uncomfortable. Fran’s tour was happily free of such companions and Graham was a little reassured.

But as I set off for Stansted to begin this latest venture I had a rare sense of unease. Could I still do it? Should I be with Tui rather than intuition? Hey I’ve done Rome, Lisbon, Malaga and Cadiz and Mallorca – with Covid tests – so why the worry? I’ve had real, not man flu for a week – three lots of Benyllin at home and a trip to the pharmacy for Mucosan (better I would say after two doses) and cancelled a Barbican concert on Sunday because I didn’t want Rattle’s baton picking out the cougher in the stalls. So maybe confidence is down a bit through illness. There was a moment during the miles of steps through Stansted that I thought there must be a better way to do this. But hey, if you buy and fly Ryanair you know what to expect. Everybody chooses Priority so that queue is longer the the Other Q, but at lest you do get on first.

Flight was fine, great snow over the Pyrenees and a wonderful descent into Barcelona along the coast. Then the traveller took over. I’d booked a Barcelona 5 day card for unlimited travel and free entry to 20-30 museums several of which I intended to visit. However Terminal 2 is huge and the Tourist Office is at the other end, the best part of a kilometre away. I get my card and set off back to where I started to get the train into town when I realise I’ve left my second bag on the floor while sorting out the card. So steps are retraced, bag retrieved and the trudge to the train is on again.

It’s a nice train, with diverting behaviour from two young ladies, whose black suitcase rolled towards me as the train pulled out. I rescued and returned it amid great giggling. The journey was initially through industrial suburbs and just as it got interesting it went underground, But it delivers me to Passeig de Gracia station five minutes from the hotel – if you come out the correct entrance. So fifteen minutes later I rock up at the hotel where they let me check in early which is a relief as I need to sit down for a bit. It is an OK hotel in a modernisme building but sadly my room does not have one of those nice balconies overlooking the street. There is a swimming pool on the roof but not open in December. Great views over the city though.

Refreshed, I was soon in proper holiday mode with a beer and tapas in a local bar on the Rambla de Catalunya. The eagle has landed!

The evening’s plan, cough permitting, is to go to the Palau de la Musica Catalana to hear Philippe Herreweghe, the Belgian conductor doing Beethoven’s Missa Solemnis. I knew vaguely where it was – no Google maps with roaming charges back – and I was on the verge of asking a waiting taxi driver for directions when I spied the exterior. Almost as embarrassing as one day in a market when I pointed to a cauliflower and asked ‘come se llama?’ To be told with an uproarious laugh ‘coliflor’. I’d booked my ticket online and was shown to my seat in the magnificent auditorium – the absolute epitome of modernisme design and execution.

Soon after I was seated I was hissed at by a lady of some few years younger than me I would estimate, indicating that I was occupying her seat. My neighbour explained that a group of them usually sat together but there had clearly been an “error” at the box office. She didn’t seem that bothered and despite my offer to swap several times I was told ‘no pasa nada’ – it doesn’t matter. Maybe my limited Spanish kept her from an earbashing.

The orchestra, choir and soloists arrived followed by the rather ancient-looking conductor – he’s four years younger than me but you wouldn’t guess it. He also had to take a couple of comfort breaks between segments – unusual in this work – but pee breaks are something I sympathise with for anyone. I love the Missa and this was an enthusiatic rendition but not the best I’ve heard although the soloists were outstanding.

It was exceptional to hear a great piece of music on my first night in town and my companion recommended a guided tour and the cafeteria in the basement. ‘Cafeteria si,’ she said ‘restaurante no – es muy caro!’.

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Chopin/Graves Take 2

First things first – a trip at 10:00 to Clinica Belice for my two days before PCR test. Take 2 on that too as they needed to see my passport which was in the hotel – I’m really rubbish at this travelling lark. They were very efficient and friendly and I’m promised results tomorrow evening, [received Negativo at time of writing so if they have crew I might get home!].

Then later than usual to retrieve the car and set off. Well at least I know the way to Valldemossa and with the cloud much higher over the mountains I can appreciate the gorge that leads through the Sierra Tramuntana up to the town.

I know where to park so am soon in the Chopin/Sand cells inside the monastery. It is fascinating and reading George Sand’s disgust for the locals probably explains why they didn’t have a good time here. Her Un hiver en Majorque has some joyous descriptions of the landscape among the groaning about conditions and the impounding of a Pleyel piano for weeks by evil Spanish customs. When you read the copy you realise that they were only here for eight weeks and you wonder why all the fuss? She wrote about it and he composed some of his most famous works. Guess that worth some fuss – 24 Preludes Op28 are very highly regarded by Chopinistas.

The Cartuja cloister, entrance to Cell 4 and an interior view of the two rooms.

What is fascinating is to see the wall displays of facsimiles of his manuscripts with furious revisions. He hit the paper hard as well as the keys. And it is good to see his bust keeping a watchful eye on the piano they’d paid Pleyel 1200 francs for and from which he’d had so little use thanks to customs difficulties

To talk of them living in a monastery cell sounds like real deprivation and there were three adults (FC, GS and maid) and two children living there but they did have a garden of their own which Mme really enjoyed with its stunning views.

I’m not sure whether the trees had formed this circular shape in their day but the view this way hasn’t changed much.

There’s not a huge amount to see and an hour and a bit sufficed. Valldemossa itself is too touristy for my taste, highly groomed streets, some interesting art but a whole lot of craftish tat. So i have a peremptory stroll, stopping of course to snap Chopin Street and WhatsApp it to my friend Jadwiga who is Polish and a Chopin groupie!

As I left the town I was struck by the large number of plane tree avenues leading to and from Mallorcan towns – there are some on the mainland but it feels rather French midi to me. I love them. Good now, but must be great in summer.

Having not eaten until four yesterday I thought ‘wouldn’t it be good if there’s a restaurant between here and Deia.’ There was and it is clearly very popular because while there were only a few diners when I arrived just before two, by the time I left it was full. I had some great sepia in a spicy pica-pica sauce and habanitas con baicon – an old favourite but here the very small broad beans had leeks, onions and peppers as well as bacon. Very tasty and timely – I thought.

The short drive to Robert Graves’ house was familiar too and I much prefer the town to Valldemossa – sorry if that makes me a tasteless Brit. There was a convenient parking spot right opposite the house so I crossed the road full of hope.

The nicest ‘P off we’re closed’ sign ever!

Once again the lack of a planning companion struck – they close at 13:00 so I should have come here first. Doh! However the gate was not locked and I crept in to have a look at the garden at least. I was caught by the very friendly and fluent English speaking gardener who said he would have shown me round the house but had to leave at three-thirty. We chatted about the problems of gardening – it rained for the whole of November and everything is behind – but he’s doing his best, upon which I complemented him, explained I couldn’t come back again this trip but be sure not to miss it next time. He allowed me to take some photos and rewarded me with a couple of incredibly juicy tangerines.

Graves’-house, bust (by Epstein?) studio and tangerines.

With little encouragement, I decided to carry on round the Ma10 to Soller and then head inland and back to Palma through the middle. With today’s better weather in the mountains their scale, variety and colours were amazing – just not enough safe stopping places for photography but I managed a few.

I passed through some interesting towns that would repay a visit: the Botanic Gardens at Alfaibia are closed until March, but look fun; Bunyola had some interesting buildings; and as I came to the end of the Ma2040 I found myself at the Mallorca Fashion Outlet – no point me stopping there! This is on the outskirts of the town of Inca which is linked to Palma by a near-motorway standard Ma13 so I headed on home or back to the hotel at least.

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Christmas Day and a day in a box

Imagine my delight when drawing the curtains to see the bright green shutters on the building opposite bathed in glowing morning sunlight and framed above by bright blue sky – yes this is Christmas! So I have a light breakfast and set off to the airport to pick up a car to go and visit Rosa and her mother and join them for Christmas lunch. Rosa had rented a villa through AirBnB in the middle of nowhere – in fact the guy who opened up for them said they were in the exact centre of the island – a claim I suspect is shared by several locations. But for any geolocators out there it’s between Sencelles and Inca, Benigali and Costitx. It’s in a part of Mallorca renowned for early settlements and since I’d never encountered the term Talayotic Period (1200-123BC) we decided to go and explore a couple on our way to lunch. Before we set off Rosa, Pepita and I had a ‘conversation’ about our very different experiences and lifestyles and with a few gaps where expressions failed us we got on very well I thought, there were a few smiles and chuckles at least.

At the Santuari Talayotic de Son Corro, supposedly columns built without mortar but showing signs of steel rods and cement.

We were, it must be said, slightly underwhelmed and the visit did not take too long so we set off for another which Google maps said was nearby. We found the hamlet of Binifat quite easily but found no sign of its talayot. Fortunately, a group of people were arriving for a family lunch and with the benefit of my two fluent Catalan speakers, a brother-in-law was fetched who give detailed instructions. Pepita decided it might be a few steps too far for her ailing knees (she is a little older even than me – I was told; I did not ask!) so we left her with the car looking for wild asparagus in the hedgerows and Rosa and I strode off down a lane and as instructed found a very small gate that involved clambering over a low stone wall and the along a fenced path beside a farm pasture. It was a slightly more impressive find with a circular shape and massively thick walls. I did not enter as it would have involved a crawl and I had posh trousers for Christmas lunch not my old jeans, but the nimble Rosa made it through and reported an interior circle looking very similar to the exterior. It would once have had a roof but that is long gone. The signboard at Son Corro said Talayotic sites were used for animal sacrifice and wine drinking and I think there were devilish cults and witchcraft involved too.

We rejoined Pepita at the car, asparagus-free alas, but glad she didn’t make the walk when we showed her the photos. We then went to a village called Costitx where there’s a restaurant inside the Casa Cultural building that also houses the library and the town hall. There were many families at tables enjoying the Christmas lunch – as did we. It was clear that apart from us the two extremely tall and thin maitres d’ (don’t they eat their own delicious food?) knew everybody and teenagers were subjected to lengthy hugs, cheek pinching and sundry other embarrassments. The restaurant could be quite hard to find as it’s called Notenom which means I have no name In Catalan. Two dishes were placed in front of us with the note that these were just nibbles and not the real thing. Whoa! Twelve beautifully crisp calamari rings and a plate of mussels in a fabulous onion, garlic and tomato sofrito. They were excellent but we decided to hold back for the real thing and half the mussels came home with us in a takeaway container. Next up was traditional Mallorcan sopa de Nadal which is filling chicken broth into which are placed pasta shells stuffed with spicy minced beef. I had to apologise for leaving a couple of the pasta shells with my regular excuse “Mas anos pero menor appetito” which usually garners a sympathetic smile. Next up was a huge chunk of Corvina served on a bed of potatoes. We had a) to enquire and b) Google to discover that what is often claimed as the tastiest fish in the Med is ‘brown meagre’ in English should it ever occur. It was quite meaty, very flavoursome and not too strong and I was glad I’d held back – at last a plate to be proud of. I declined the good looking almond cake with ice cream but one of us has a sweet tooth and a slice of that found its way (sin helado) into the homebound bag. No cooking for the Pascuals for the rest of their trip. Since picking up the car I have been most abstemious as even my Catalan understands “Al Volant Zero Alcohol” and I don’t intend to find out how strict they are. However a glass of crisp white with the fish and a copa de cava to celebrate Nadal were essential. It was an unusual but most enjoyable afternoon and was rounded off by chanting youth in hats and horns singing their way through the restaurant to the astonishment even of the owners.

I drove Pepita and Rosa back to their place and had a further coffee and chat before setting off back to Palma. I needed no more food but a few glasses in the hotel’s Sky Bar with views over Palma at night made for a memorable day.

Boxing Day dawned sunny again and I had decided to set off for Valldemossa to visit the Chopin George Sand museum and Deia to see Robert Graves-house. Oh where’s the trip planning suprema when you need her? I drove out of Palma admiring the mountains, arrived, parked, made my well-signed way to the Cartuja, the monastery where they lived and found this.

Right place wrong time – for those without Spanish Domingo cerrado means closed on Sundays and what day was Boxing Day 2021?

I decided to use the rest of the day as a recce and sightseeing day and after a coffee, I set off on the Ma10 up the west coast. Now loyal and regular readers of these scribblings will know that I can get close to ecstatic about twisty mountain roads with sheer drops, sea vistas and hairpin bends with rock fall warnings. You’ll be pleased to hear the Ma10 has been added to the list – it’s a beauty. And I had no one to scare! It does have a few miradors along the way so here was my first pause at San Marroig (from Cap Roig near where I used to have a house in Begur I know that roig is red and you can see why.

Fun cloud formation to the south and the red cape winking at us. and fabulously clear water in the cove below me – nearly tempted me but it’s a long way back up!

Next was Deia home to poet Robert Graves-for so long. His house will have to wait till tomorrow too. But the town perched on its hill is lovely. After a lot of trips to Andalusia it should really all be painted white but the ochres and browns suit the landscape.

I stopped by a large reservoir the Garg Blau – it was very blue – and was very impressed that they’d rescued a sixth century column from being flooded and given it pride of place and a plaque in a pull off on the Ma10.

I carried on with a brief stop in Soller which has a famous tourist train ride down to its port – not today’s though. Some interesting architecture and a quick coffee sufficed. The Ma!0 gets really hairy after Soller as I headed for Pollença where I thought I might get lunch.. Real hairpins, narrow stretches and brilliant views of proper mountains – the Soller Pass is at nearly 500 metres -and then down into a fertile plain behind Pollença. It’s a great old town and had a couple of open restaurants but with wing mirrors at risk in some streets and no obvious parking I decided to head for its port where surely there would be restaurants – it’s a resort after all. And there were. It’s by now gone four o’clock and I’m peckish so olives and bread with allioli keep me going as I order a frito misto which the menu said had a variety of fried seafood but when it came it was distinctly non-fishy. I enquired and was told I’d ordered Frito Mallorquin. It was very tasty but one guide book says it is not for the faint hearted – main ingredients: cubed potatoes, red peppers, onion, garlic, artichoke, black pudding, lamb and chicken livers all fried up in olive oil. I’m OK with offal but I could appreciate the guide book warning which I found back at the hotel for many others. The best thing was watching the evening sun fall on the lovely bay at Port de Pollença.

By the time I’d polished that off and found a less tortuous route back to Palma it felt like most of my Boxing Day had been spent with me at the wheel of my tin box – no complaints from me though – I always did like a location recce!

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World of wonder

Christmas Eve has a special meal planned at the hotel but first there’s some boring admin to deal with. So after breakfast: Book a PCR test for Monday two days before flying home. Check 7 minutes walk from hotel, walk in service no appointment needed. Brilliant.

Christmas Day visit to Rosa and lunch out in the country will need a car. None available in the city but I can pick one up at the airport tomorrow and it’s on the way anyway. Check. So now to the real business of the day – a trip to the Fundacio Pilar i Joan Miro.

The location is out in the western suburbs of Palma in an area called Cala Major and it takes about fifteen minutes in a taxi from the hotel. One of the things I wanted after the grey of London was some blue sky. Not yet in Palma but today as I walk towards the entrance the cloud lifts and there is a good-sized patch of blue. And of course with Miro there will be more sun inside.

My visit was a little truncated as a large part of the building was closed for repairs and remodelling but both in the extensive gardens where big sculptures were displayed and in the studio where the stacked canvases there were ample testaments to the genius and prolixity of Joan Miro. He and his Mallorca wife Pilar, lived on Mallorca from 1956 until his death in 1983. He used a small building Finca San Boter while his friend Josep Sert was designing and building a purpose built studio, now known as the Sert Studio. Up in Boter it’s fun to see the remains of Miro’s sketching in charcoal directly onto the whitewashed walls and also to note the eclectic collection of everyday objects he took inspiration from.

Graffiti and inspiring trivia at Son Boter

The Sert Studio is a fine building from the outside with a fluted roof either echoing waves or clouds and slanted tiles to allow filtered light and air into the capacious balconied studio. I was utterly gobsmacked by the sheer number of canvases leaning against each other and the walls. While there are strong similarities in Miro’s basic mark selection and palette, each canvas has a different atmosphere and you wonder what the finished articles would have looked like. It’s always fascinating to see artists’ work in progress and there’s plenty of it here.

There was also a rather good fifteen minute video about his life and work on Mallorca which after climbing and descending the many steps to Boter studio I was happy to sit for a while and watch. I was very pleased I’d made the trip out here and as I left wondering where I’d get a taxi, I came upon a bus stop that said Route 46 went up the Passeig de Mallorca which is very close to the hotel. It also had a QR code that informed me that a bus was due in ten minutes so I decided to wait. Well worth it! It headed off in totally the wrong direction according to my understanding of where Palma lay, but eventually came to a terminus in Genova, waited for a while and then returned me through bustling suburbs including one that must have been close to the more infamous areas of Mallorca as there were adult only entertainment bars, sex shops which I found a bit surprising next to supermarkets and pharmacies. However it did pitch up where I wanted and I had a stroll back to the hotel with a few stops for liquid, but little food refreshment as a six course meal was planned for nochebuena in the hotel. This began at nine o’clock began with cava, a delicious fish soup, crispy octopus and fillet of sea bass accompanied by frequently poured Verdejo and after a short pause and change of glass, a Rioja went nicely with the lamb stuffed with foie gras (apologies vegans!). I declined the tiramisu with red fruits but did have some home made turron (nougat) with my coffee. By now I was chatting to my neighbours Carl and Cristina, Swedish fiancés who were here for Christmas before heading to Andorra for skiing where they had become engaged this time last year. Sampling a copa or two of Mallorcan brandy, we got on well and I have an invitation to their wedding in Stockholm in August. I may just be too busy with centenary celebrations at Watford to attend however. But what a lovely Christmas Eve and one that didn’t end up in hospital!

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Palma Art trail

Well, I got a music fix on Day 1 and have the delights of Radio National Classica on the TV in my room. It’s a cross between Radio 3 and Classic FM and plays an interesting mix of material. So Palma Day 2 today is devoted to the visual arts alongside coffee, beer, wine and other tourist activities. The hotel is very close to one of the island’s most important museums of contemporary so I headed there first after my surprisingly included breakfast. So long since I booked I’d forgotten it was a B&B deal. The joys of a Spanish hotel buffet again -with so much to choose from!

The Esbaluard Museu has a series of terraces with sculptures displayed and then inside has four distinct exhibitions on at the moment.

The entrance and sculpture terrace with the cathedral.

One by a Mexican artist Elena Del Rivero was very impressive with a variety of installations and community project artworkS which the museum’s photos convey better than I can.

An Elena del Rivero piece ‘Chant’ in which she sews found letters onto a gauze drape.

There was a rather overly political photo collage project by Rogelio Lopez Cuenca and Elo Vega about the despoiling of the island by tourism – maybe I just felt guilty! I did like one room though with twelve male mannequins in Hawaiian shirts watching touristy footage. They just missed having towels on loungers.

I was much taken by glass sculptures by the aptly named Lara Fluxa given the fluidity of the pieces highlighting how glass is flowing until it settles into a form. I found the variety of her work from thin and flighty to more solid and serious quite affecting.

A couple of Laura Fluxa’s fun glass sculptures.

The fourth exibit was called Masks against Barbarism and had as a central focus a sound piece of scenes from Alfred Jarry’s Ubu Roi alongside a series of other images from many different artists. The Jarry piece was especially interesting for me as my directorial debut was in 1964 when I produced a version of an earlier Jarry play Ubu sur la Butte as University College French Department’s entry in the annual Lycée Français intercollegiate competition. It won best actor but not best director (sad face) but gave me a lifelong interest in surrealism and the poetry of protest.

All in all a very enjoyable and stimulating couple of hours after which I set off towards the cathedral which dominates the city from every angle. It is a very impressive edifice but is closed for public visits until the New Year so I didn’t get to go inside – I guess I could go to mass on Christmas Day, after all I did go see the pope’s Christmas Day address in Rome a few years back.

You just can’t miss the cathedral. On the left it beckons from the walls of the Esbaluard Meseum and is impressive up close but only from outside.

But right beside it is the Almudaina Palace and since that’s the name of my hotel it would be wrong not to wouldn’t it? I’ve been struck by how there are far fewer examples of Spain’s moorish heritage here than in most other cities. However the name and the fact that it has Arab Baths makes it plain that they did get here. The original Arab fortress was seized after the expulsion as a Royal Palace for the kings of Mallorca and is full of massive rooms with various functions over the years. It also has great vaulted ceilings, faded tapestries and outside an impressive cactus garden.

I had high hopes of my next art stop and so paused for a beer outside one of the most photographed facades in Palma. You see it on postcards and publicity for the city and is is a fine example of decorative retail art. They have great bread and cakes too.

The famous Forn del Teatro and Plaza Frederic Chopin.

On my way I was able to pass through Plaza Frederic Chopin and think of my Polish friend Jadwiga Adey at home alone as her family based in Paris and LA are not allowed to join her. When I rent a car I’ll go to Valldemossa where Chopin lived with George Sand for a year. He was in poor health but managed a burst of great creativity.

When I got there, the Fundacio March (big Mallorca banking family) was something of a disappointment. Among some workmanlike but uninspiring abstracts, paintings by Dali, Juan Gris and Picasso just emphasised the gulf between OK art and great art. So I left there and had a further wander through the streets of the old town with a few refreshment stops enjoying people watching frantic last minute Christmas shoppers in the trendy thoroughfare that must have been named for me – Carrer San Miguel.

It was announced on the news that from tomorrow (24th) masks are compulsory in the streets again.

So it’s off to he city’s other trendy thoroughfare, the Passeig de Born to eat this evening amid the Christmas decorations and noisy revellers. it’s such fun to be elsewhere! And it’s 16-17 degrees. Sorry!

We discovered once before that most restaurants close on Christmas Eve – Nochebuena – so I was glad that the hotel offered me a special menu de nochebuena in an email a couple of weeks ago. I’m due to eat at 21:00 so having got back from today’s further art excursion, I thought I’d get another blog down. What with tonight’s dinner and Christmas lunch out in the country tomorrow, it may be a while before the next one. The wonderful world of Joan Miro is next.

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The joy of Christmas travel

Well, after careful consideration, I decided I would go away for Christmas and with a family recommendation I’m heading for Palma de Mallorca for a week and will rent a car to see a bit more of the island while I’m here. I’ve completely forgotten how to pack and found the new rules about cabin baggage confusing – for an extra 20 quid I can take a big and a small one – one for the locker, one under the seat. Hooray no waiting at the carousel!

As the flight is at 07:10, I’ve booked into the Premier Inn North Terminal at Gatwick with a week’s parking with Purple Parking. So out of practice, I go to the hotel first and check in only to be told that I should have parked first and come in on the shuttle bus. As I go to retrieve the car there’s a security guard on his walkie talkie summoning the bomb squad. He admonishes me “Never leave a car unattended in an airport”. I grovel and set off. It transpires that Purple Parking is halfway to Brighton and I have a vague recollection of using it under a different name once before when Dee, Jacque, Toddy and I set off for the Copa de Ibiza in 2004, my only other venture to the Illes Balears. A short wait and a bus takes three of us to a stop outside the terminal from which the only route to the hotel appears to involve dicing with death with drop-off traffic. I make it, have a beer and supper and retire fairly early with the prospect of a 05:00 alarm. I was concerned that extra security and health checks might make the security/check-in process even longer than usual. It was not too bad and soon I was at the gate where my bag option also conferred ‘speedy boarding’. a real bonus. The flight was busy but not full so distancing and masks were easily possible. As we took off and headed out across the channel the sunrise was amazing (and a bit sharper than the through the window phone shot).

The flight was pleasant enough with solid cloud over most of France until the Auvergne and the eastern Pyrenees showed a light touch of snow. We even arrived ten minutes early – just as well as getting out of Palma airport is a task of IKEA-like proportions. A bus into town, walk to the Hotel Amudaina where, despite it being 11, they kindly allowed me to check in rather than just leave my bags which is what I had expected. Having declined EasyJet’s breakfast offerings, it was dump stuff in the very pleasant and spacious room and pop next door for my first orange juice, croissant and an excellent café solo doble. Refreshed I decide to go and explore. It’s not long before I get confirmation of where I am.

This sign is on the waterfront where there are lots of posh yachts and in the distance those apartment blocks of cruise liners that flock to the wonderfully curved harbour.

Next to this is the Lotja, the old stock exchange which with its barleytwist pillars and fine ceiling reminded me of the similar building in Valencia. That evening I was to say to a friend I met later on that much of Palma reminded me of Valencia – no bad thing in my book.

So I continued to walk around the city with occasional breaks for coffee and beer. I found the cathedral which I plan to visit tomorrow and the market – Mercat del Olivar – I love the colour, the smells and the constant babble of chat in Spanish markets and had some tapas in a bar inside it. The Plaza de Espana was a bit sprawly and dull, the Plaza Mayor very elegant but spoilt by Christmas market stalls – what have the Germans done to the worl.

The Olive Tree market and a fine modernisme house

The old town is filled with narrow streets and occasional delights of modernisme architecture. Feeling I’d had a good first orientation I went back to the hotel to change into more suitable garb for a concert at the Palacio de Congresos where I was to meet my friend Rosa Pascual and her mother. As it happened Rosa’s mum wasn’t feeling too well so I had the pleasure of Rosa’s company, and no need to confess to my lack of Catalan, for a concert in a fine new auditorium.

The auditorium and the huge orchestra with professionals in black and students in white, some of whom looked only about twelve or thirteen.

It was given by the massive forces of the Orquestra Simfonica dels Illes Balears. The programme opened with a festive overture by William Grant Still which was unknown to me and quite lively if a little rough at the edges as the band settled down. We then had Handel’s Water Music and a suite from the Nutcracker at which I kept wanting Matthew Bourne’s dancers projected on a screen behind them. It then went a bit poppy and Hollywood before concluding with a special arrangement of some Catalan carols which nearly had Rosa joining in and which we both really enjoyed. Rosa thought the conductor had made a very sensitive treatment of some old favourites. She then kindly dropped me off at the hotel but couldn’t stop for a drink as she had to drive back into the middle of Mallorca along dark and twisty roads to a villa she’s staying in.
I went for a walk around the neighbourhood, was declined entry by one restaurant which said the kitchen had closed so ventured a little further and supped in La Bodeguilla with a great atmosphere, far too much food and my first taste of a local Mallorca wine OBAC de Binigrau which was a blend of several grapes, lightly oaked and most acceptable but I think they should leave off the subtitle if they want to export it. It had been long, varied, exciting and lovely day – and I’m abroad!

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Christmas came early this year …

As many of you know, and the name of my blog probably gives away, I’m a big fan of the Japanese writer Haruki Murakami. He’s just published a new non-fiction book about his extensive collection of T shirts. The publishers Vintage – part of Penguin Random House – ran a competition for a signed copy of the book and a unique T shirt commemorating the title. You had to submit your favourite Murakami-related T shirt photograph and explain why.

So I’m in Tokyo in 2013 buying the first copy of his then latest novel Colorless Tsukuru Tazaki and His Years of Pilgrimage in Japanese on launch day at Kinokunia Bookstore in Shinjuku, wearing an 1Q84 T shirt I’d obtained by queuing outside Foyles in London for the midnight release of the trilogy 1Q84 in 2011. Dee and I even appeared in an Evening Standard feature about the launch. Well it demonstrated my Murakami credentials and I won a prize! I never win prizes.

The T itself and the T shaped signature bookplate

And then it had to be added to the extensive collection of Murakami titles which are fully referenced in the Our Murakami library section of this blog.

The book itself is a marvellous revelation of some personal aspects of Murakami’s life which he seldom reveals. It’s generally known that he has a massive collection of vinyl albums – estimated at 10,000, but who knew he also gets T shirts wherever he goes. There is a chapter on record shop T shirts of course but also on surfing shirts. In one great anecdote he tells of his delight but also shyness at meeting a famous surfboard designer Dick Brewer whose boards he’d used for a long time. Richard Brewer was now working as an estate agent showing Murakami round a property in Hawaii. “So you have the same name as the surfboard designer,” Murakami observes. “I am Dick Brewer but my wife said I’d never get anywhere surfing all day, so I had to get a proper job.” There’s a good plug for Guinness too alongside a T with the famous badge:

Travelling in Ireland I’d stop at local pubs and be amazed that the temperature and amount of foam in the glass would vary and the taste would be different too. I continue to order Guinness in all sorts of towns – in fact I could down a Guinness right now – but I’d better finish writing this first.

Well Cheers Vintage and Cheers Haruki. I finally won something and something I’m very pleased to add to my (comparatively) tiny T shirt collection. And if you’d like to know more about this fascinating book go here.

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What a week!

I normally only write this blog when travelling and usually when travelling abroad. But I haven’t done that since Christmas in Cadiz in 2019 so it’s been a while. However the last week has involved travel and events that hint at some sort of normal life again. The week began with me getting unexpected praise for writing something completely outside my comfort zone so I posted it on my Verbalists blog. It was a piece of music criticism as homework for a short series of webinars from the Orchestra of the Age of Enlightenment.

So last Saturday I ventured to the wilds of east London (Gants Hill) for a delicious lunch and stimulating discussion with one member of the group BBPC (British Bangladeshi Poetry Collective) of which I am honoured to be a trustee. I was invited by Shamim and Eeshita Azad who I worked with in Bangladesh way back in 2009. My poet and artist friend and I are working on a translation project where she finds my editing experience a help. As I told her she mines the jewels; I just give them a bit of a polish. We made good progress and had a fun time. So why was the day spoiled by taking me nearly an hour to get back through the Blackwall Tunnel? What were all these people doing on a Saturday evening?

Sunday and Monday were consumed by domestic and gardening duties which proved fun in the sun and both flowers, fruit and vegetables are coming on nicely and I have a neat front hedge.

On Tuesday morning the four of us who are the executives and trustees of BBPC were subjected to a 90 minute grilling – not she wasn’t that fierce, a gentle toasting – by a bank manager, making sure we were who we said we were, what we planned to do and I suppose to make sure that we weren’t a front for a money-laundering operation. We survived and hope to have a bank account to go with our newly acquired status as a Community Interest Company. We had a splendid picnic that evening to celebrate becoming a real company. More excellent Bangladeshi food and the company of friends, oh how we’ve missed that!

On Wednesday Eeshita and I attended an excellent British Library streamed lecture by Jhumpa Lahiri about the art of translation something we will be featuring in BBPC workshops. She is Bangladeshi but now an American citizen teaching at Princeton and has just published Thresholds in English which is a translation she made herself from the novel she originally wrote in Italian after moving to Rome a decade ago to steep herself in Italian language and culture. Thought-provoking, informative and stimulating words from a fierce intellect who shared her thoughts with great clarity.

And as that wasn’t enough excitement, in the evening I conducted a Zoom interview for The Watford Treasury a magazine I help to edit. Talking to a Watford striker hero always gives me a buzz but Tom Smith as he is now, Tommy when playing, was charming, thoughtful, generous of time and gave me just what I required for an article I’m writing.

Then the real fun started on Thursday. I actually drove to Putney to pick up my friend Jadwiga and headed off for Glyndebourne to see Janacek’s Kat’a Kabanova. It’s the first time since 2019 and we were blessed with a glorious sunny day and had booked a hotel in Lewes so as not to have to rush back to London after the performance. We arrive in time to change and book a cab. Mad Mike panic – I normally keep cufflinks in the pocket of my DJ jacket, but after its last use it went to the dry cleaners. Taxi imminent, no time to go shopping so quick improvisation required. Has reception got a stapler? Of course and duly sterilised it provided a new way with shirt cuffs as we made our way the Glyndebourne, passed through the temperature checks and venue log in and went to pick up our picnic which we’d booked in the marquee for the interval. Glyndebourne is doing a big thing with local winery Nytimber and, well local businesses need support so drink was taken.

The opera was beautifully sung and played and is a heartening tale of disastrous marital infidelity leading to death – well it is opera. The score is dynamic and exciting and made for a fabulous evening and if you would like to you can read my review here.

It had been such a delight that on returning to the hotel in Lewes we decided a glass of wine would be a suitable accompaniment to discussing our views of the production. So we did that for a while and both agreed that while visual and direction aspects of the production were naff, the music and the experience were wonderful. As we were thinking about retiring two young ladies entered the bar, got themselves a drink and asked if they could join us. They were police officers due to give evidence in court on Friday and proved chatty and delightful companions as bottles rather than glasses were consumed and four people who should have known better struggled off to bed around 1.30 am.

The last time we visited Glyndebourne together it was glorious weather for the opera and biblical, monsoon rain next day, I might have been back in Dhaka. History repeated itself with one significant difference. Last time I’d left my car’s lights on by accident all night and had to call the AA who, after getting it started, advised driving solidly for two hours to recharge the battery. We zigzagged across Sussex and Kent before deciding it was safe to stop for lunch in Penshurst. The car was fine this year and took us through the deluge to Chichester where we had tickets at the Pallant House Gallery to see an exhibition From Degas to Picasso which was very impressive. But it did raise a question of access to art. All the paintings and prints were from the gallery’s own collection and was the exhibit was put together rather hastily once opening dates were known. There were more etchings, lithographs and screen prints than oils, but also a healthy selection of watercolours. We feasted our eyes but were saddened that all these images are normally hidden from view in a vault or storeroom. Here are two lithographs by Salvador Dali that showed a different side of his work – albeit with a few characteristics tics here and there.

Lunch in the café was pleasant and we were ready for a mercifully rain-free drive through the fabulously varied scenery of Sussex and Surrey via Midhurst and Haslemere marvelling that we were out of our homes and having a fine time with a friend. What a great end to a busy week!

Thanks to Farah Naz and Jadwiga Adey for some of the photographs.

Malaga and Cadiz 2019

Battered, bruised, down, but not out

Well I think that goes down as the most unusual Boxing Day I’ve ever spent. I woke after fitful sleep. I can’t lie on my left side because my shoulder hurts – it took a bang when I fell back from the wardrobe. I can’t lie on my right side as my swollen right eye hurts so I have to try sleeping on my back and have been advised to keep my head elevated by at least two pillows. I feel like I’ve been laid out in the coffin already but in my birthday suit not my best suit. And I have to get clothes past the culprits before I can go – that’s top brass I can tell you.
884C9FD7-FA38-474C-8645-FCCC2C72CCEB However the hospital Hospital Puerto del Mar want me to report at 09:30 so off I set in a taxi the hotel has kindly called after my profuse apologies for their disturbed night of gore and mayhem. I had to take a taxi because from the interior of an ambulance I had no idea where we had gone and when I came out I got straight into a taxi back to the now calm hotel without really being very aware of my route or surroundings.

I report to Triage 1 and a ticket is printed out for me along with a page of sticky labels with my name, date of birth, admission number and cause of admission ‘Caida’ – fall. I wait for about 15 minutes before being called into Trauma 1 to explain to a doctor exactly what had happened. Well I knew sock, calcetin, take off, quitar, caida, fall, armorio, wardrobe and manija, handle. So I manage to concoct a narrative after which he nods sagely and sits me down to examine the cuts and stitches which he approves, does a name and number, day of the week, address in Spain etc as a concussion test and says he’d like a face specialist to check me over to see if the stitches will suffice or whether I need plastic surgery. Back to the waiting room for rather longer this time. Just like English hospitals there are too many people for the seats available and the one unisex loo is out of service. So I stand patiently, glad I’d had the foresight to bring my Kindle on which I was reading Kamila Shamsie’s excellent Burnt Shadows which combines Japan with India and Pakistan in a timely, tense tale.

A lady in blue with a face mask comes by and somehow I know she’s my face doctor. She must have seen a few others and then after a while she calls me into Trauma 2 and checks my eyesight with torch and fingers to count – no double vision and I’m glad that’s an index finger you’re holding up. She declares that the sutures will do the job and that no plastic surgery is required but they do want me to go to x-ray to check that no bones were broken – I think I would have known. So back to stand in a corridor outside the radiography room until my name is called. Eventually I enter and two young rather giggly radiographers are keen to know how to pronounce my unusual nombre. They try Raggett for size a few times and I tell them they’ve got it. A quick dose of rays and then back to the waiting area. The original doctor sees me again and tells me a nurse will give me a tetanus jab and dress the corner of my brow which persists in bleeding (sangrando) adding another verb participle to my vocabulary. He also said I should go to my Primary Care Centre in three days (it’ll be Monday at my surgery which will be the fifth day so maybe the stitches can come out too which he suggested should be in a week). The nurse then stings me horribly trying to clean up the mess a bit more and applies a big cotton pad with tape over my eye to stop the bleeding. Then I’m told I’m free to go and thank them all profusely for what has been excellent attention to a stupid accident. The worst part of it is that I had discarded a previous pair of freebie Bam socks because they kept slipping on my wood floors. Total idiot. Also I once heard a radio show a while back in which the presenters were discussing how sitting down to put socks on and off was a sign of old age. From now on I’m old.

I need a pharmacy and a loo by now so I walk away from the Emergency Department where I note I’ve been for just on three hours so I stride off towards what I believe to be the main Avenida Juan Carlos II that runs north-south through the new part of the city. It is and I find a pastry shop with coffee and churros so I set into those, recalling from goodness knows where that after a shock it was good to eat or drink something sweet. Well I’m not putting sugar in my coffee but a sugar coated churro will do the job. It also of course has a loo. Refreshed and emboldened I decide to catch a bus back up to the old city and my hotel. It worked fine with a one euro ten cents flat fare and there’s a pharmacy opposite the hotel so I get my prescription filled but have to repeat my now more fluent tale of Christmas Night. Jokes about amateur bullfighting and what the other guy looks like happen in Spanish too but armed with amoxicillin I go back to my now spotless room. I take pills and then a kind of, I suppose, post-shock lethargy sets in. I did of course sleep very little during the night and sit in an armchair and drift off a bit. Then alert again and turning on iPad mini to watch the footie later, I realise that what I’d written about Christmas Eve and Day had not saved properly so I had to recreate all that whereupon several photos duplicated themselves. Foreign internet, weird WordPress or just DRD – defective Raggett digits I’ll never know.

I feel I ought to go out and grab some lunch before it’s time for Prime to watch Watford at Sheffield United – my Blades-supporting nephew has wished us Happy Christmas and more wins but not today. But by the time I’ve thought about where or what it’s too late so I settle down to see the excitement of a lead unfold followed by a stupid penalty for their equaliser. So that’s draws home and away but at least this one had a proper goal and we’re off the bottom of the table. The later Leicester v Liverpool match is much more exciting and after that I decide that fasting will do me no harm and retire again for a disturbed but better sleep.

Friday morning sees me shower (avoiding getting stitches wet) pack and take my bags to the car. I then go for breakfast in the Plaza Espana and realise that my decision to visit the chapel with the Goyas before driving back to Malaga was muddled with 24 hours clock confusion – my flight is at 4.25 not the 6.25 in my head. However I can still make it easily albeit it not by the fully scenic route intended. But it gives my time to admire a few more of the fabulous buildings and squares of Cadiz – just why is it only men taking breakfast? – and amble through its cobbled streets to find that the Oratorio is open.

Cadiz Government

Painted Tower building

Typical street

Why do only the men take breakfast?

I go up to the chapel in which there are five frescoes around the ceiling, three by Goya although from the distance and the lighting you’d be hard pressed to tell it if you’d just happened to wander in in ignorance. Still it had been on the tick list.

Back one last time to the car park – huge so I always wrote my bay number on the ticket – set up TomTom for the car rental place and off I go. While we had previously gone all along the coast down to Tarifa to look across at Africa and then along past Gibraltar, today’s faster route went diagonally across Cadiz province giving me only a fleeting view of Gibraltar – It’ll be interesting to see what happens about that in the next few years. Then it was along through celeb/gangster country Estepona, Puerto Banus, Mijas, Fuengirola, Marbella, and on to Malaga. They are amused to see that the car has no damage, just me, so my tale is told again with winces and sympathetic handshakes before a shuttle bus whisks me into a surprisingly quiet Malaga airport. I’m quickly through security and off to the Sala VIP lounge thanks to my subscription to Priority Pass. It’s also nearly empty and I catch up on emails and messages before heading to the gate.

E6CC61F6-91DC-49F3-A7D6-51E11188EC4B As is the new norm with Ryanair the Priority Q is longer than the paupers’. But in, I think, a first for me we board through an airbridge not by walking across the tarmac and climbing steps. The captain urges people to stow their stuff quickly as we can actually make our 16:25 take off slot if they get a move on – since we’d seen him and the cabin crew walk past us twenty minutes earlier maybe they could have got the plane loading sooner. However we’re in the air on time and I can construct the last blog from this excellent but eventful Iberian adventure. Obviously I’ll have to post it later when there’s some wifi – probably back home. Where I now am.

Well after a perfect journey back as far as my car at Stansted after which I endured a thirty minute hold up for an accident on the A12 and then a diversion for a burst water main close to home in Kidbroke. Is that an omen?

Uncategorized

Publication Day!

25 January 2019 sees the arrival on Amazon of my book with thoughts about Japanese life and culture:

It consists of short essays about things that have amused or interested me about Japan, ranging from Anime to Zen all illustrated with, largely, my own photographs. The book is available as a Kindle ebook (best with a colour screen Kindle) and as a paperback. You can buy them here :

I’ve chosen to self-publish this after a couple of travel publishers expressed interest but then sat on their hands for months. So with the possibility of interest from new visitors to Japan for the Rugby World Cup this year and the Olympics and Paralympics in 2020, I got fed up waiting and decided to investigate Kindle Direct Publishing which proved pretty straightforward. The only downside is that it has to be an Amazon exclusive and they have minimum price scales for paperbacks which they print to order.

It has been great fun to write and the readers of first drafts have said some complimentary things about it. It’s brought back lots of very happy memories of my visits to Japan which started way back in 1979. I hope if you’ve enjoyed following my blogs over the years you’ll enjoy this slim volume which has obviously used the blogs and my travels as a source but with lots of added research to present a more helpful and insightful guide.

Please spread the word to anyone you think might be interested in going to or just reading about Japan. I’d welcome feedback from anyone who does read it and, of course, if you happen to like it reviews on Amazon, Good Reads and Tripadvisor can work wonders. Thanks for all your support in the past – and I hope – the future.

Amsterdam March 2023, News

Last day – more art and a celebration

Last day of the trip and we decide to eschew the buffet breakfast at Cafe Moer and take our suitcases for a short walk up Overtoom to the Toasty Cafe we’d walked past on Monday’s exploration. Pink grapefruit juice, coffee and croissant and we’re off to the tram stop heading for Leidseplein – getting the hang of direction of travel and so on by now. The trams are very frequent and easy to use. You can buy a transport card or just touch in and out with a credit card or phone. They look quite small from outside with just two coaches but have Tardis-like interiors.

As we walked across Museumplein yesterday, we’d spied a locker storage facility in the Q-Park garage and so our first port of call was here to leave our suitcases knowing we could retrieve them later and get a tram back to Centraal Station from the stop opposite the Concertgebouw. This proved very easy and secure and saved us either trekking back to the hotel or going to the station twice. We had two more museums to tick off before checking in for the return Eurostar jouney at three-thirty. I had been to the Moco in Barcelona at Christmas and so was keen to visit the original in Amsterdam. Their mission is to present modern and contemporary artists in elegant surroundings. In Barcelona the museum occupies the fine old Palacio Cervelló not far from the equally impressive Picasso Museum. In Amsterdam they took over the historic Villa Alsberg next to the Van Gogh Museum. They have a significant number of authenticated Banksy originals and prints, some Yayoi Kusama pumpkins, a couple by Warhol, Basquiat and Keith Haring – and a Damien Hirst. There were also many artworks and video installations which were fascinating to explore. Some left me cold and uncomprehending, others I revelled in. That’s art I guess. One area was devoted to NFTs which despite all attempts I still don’t understand. One artist in the NFT exhibit that really appealed to me was Andres Reisinger whose environmental messages video Arcadia is accompanied by narration and an undulating minimalist music track. It has some phenomenal animation in the visuals and the poetry is very affecting. The room had a mirror wall so seeing ourselves and the video images stretching off into infinity reminded me of walking the great length of Hockney’s Normandy frieze at Saltmills in Bradford a while back. You can see Arcadia on Vimeo and Reisinger, composer RAC and poet Arch Hades talk about making it on YouTube.

Moco museum exterior and stairwell, Banksy’s faceless policemen, Kusama pumpkin, Takashi Murakami X Virgil Abloh sculpture and an animated NFT

Time for lunch now and we decided to take it in the elegant cafe at the Stedelijk Museum which was to be our last port of call on our cultural marathon. The museum is in someways I suppose the Tate Modern to Tate Britain comparison with the Rijksmuseum. The permanent collection is divided into three sections: up to 1950, 1950-80 and 1980 to the present. It’s striking modern entrance hall conceals a fine Victorian edifice from 1895. I guess we might be having art fatigue but I found it the least interesting of our visits although there were still quite a few objects that caught my eye.

Stedelijk Museum exterior, Vanishing Point cotton sculpture by Lenore Towney, El Anatsui’s In the World But Don’t Know the World made from bottle tops and found objects which reminded me of the huge Miro tapestry with umbrellas I’d seen in Barcelona at Christmas and Paul Citroen’s Escher-like Metropolis.

We set off to collect our luggage with Fran nobly fetching mine as well, as I’d omitted to take photos of the museums as I’d originally thought I wouldn’t be writing a blog about this trip. But we’ve had such a good time I just thought I had to share. We board a tram at Concertgebouw and soon arrive at the main station – another impressive building.

Check in at Amsterdam was less good than in London as we were all cooped up for an hour in a small enclosure on Platform 15 with few seats and no food facilities other than a vending machine. Every visit we’ve made this trip has been followed, almost instantly, with a request for feedback. I am very bored with this constant search for meaningless comment and generally disregard them but I did fill in Eurostar’s with my thoughts about the check in arrangements in Amsterdam. The journey itself was impeccable, so much so that at one point I said to Fran that we must be nearing Lille and she replied that we were already in England. We parted at St Pancras with the words ‘See you tomorrow’ since the reason for our return was to attend Thursday’s Gala Dinner for the Watford Community Sports & Education Trust to celebrate 30 years. Can it really be five years ago that I wrote a book for them? The evening was a total delight with many current and former players present as well as many friends and colleagues. We were presented with a substantial book containing the annual impact review and thirty stories from Trust supporters. Fran and I were delighted to find ourselves on adjacent pages.

The evening was made even more special when Fran collected an award for being the Trust’s Fundraising Champion. We then stayed partying until far too late but it was a brilliant culmination of a week celebrating all the things we love – art. music, travel, beer and wine, food, friends and football.

Amsterdam March 2023, News

Culture vultures

So day two of our culture trip dawned with a pleasant buffet breakfast in Cafe Moer and then a twenty-five min ute walk through Vondelpark heading diagonally for the Van Gogh Museum which I’d sensibly prebooked for 11:30, which was of course 10:30 on our body clocks and quite early enough to start the serious part of the day. Vondelpark is a huge green space with lakes and ponds, cycleways and roads and some pedestrian paths but it was our first moment of realising just how profuse and dangerous cyclists are in this city. Add to their sheer numbers the fact that motorised vehicles like scooters and golf buggies also use the cyclepaths and you take your life in your hands every time you cross one. It’s also sometimes difficult to know which is the footpath and which the cycleway.

Vondelpark today and as I saw it with skaters in March 2018.

We arrived slightly early at the Van Gogh Museum to see a sign saying ‘Sold out for today’ so feeling very smug at having booked from the UK in advance, we strolled past the waiting line into the museum. It houses the biggest collection of Van Gogh’s works in the world. We had booked for the special exhibition Choosing Vincent. Portrait of a Family History which made it clear to us why this was the case. Vincent’s sister-in-law was married to Theo for less than two years before he died soon after Vincent. But Jo van Gogh-Bonger and later her son – also Vincent – were largely responsible for promoting Van Gogh’s reputation as a major artist and later establishing the museum which bears his name.

The Van Gogh Museum, Amsterdam. Circular entry lobby on the right and the manin collection on the left.

We had time to explore the main collection before and after visiting the fascinating family story which was elegantly curated by getting you to follow a timeline on the floor which led to information panels, personal objects, photographs and paintings. It was staggering to find that at periods of his life he turned out a painting a day. It was also interesting to see how his style varied continually – a carefully painted image with oils thinly applied one day and the next the fervent impastoed brush stokes we generally associate with him. It was then time to head of in search of lunch before the manin event – Vermeer at 14:30. My memory from five years ago failed us so we had quite a roundabout trek to Leidseplein where I remember there being lots of bars. I was shocked when we did get there that so many are now chain operations rather than the local bars I recalled. However we found a very pleasant bar-restaurant under the Casino called Grand Cafe Lido in tribute to its predecessor which had been a landmark in the area since 1937. We had a canalside table (indoors), good beer and food and lots of boating and bird activity on the Singel or Leidsegracht canal (not sure what it’s called at this point).

Our rather damp entry to the Vermeer exhibition at the Rijksmuseum.

But it was well worth it. Again with prebooked tickets we breezed in deposited coats and bag and entered the intimate worlds created by Johannes Vermeer. Having said that, the first thing we see is a View of Delft and Little Street both of which are exterior views of aspects of life in the city. The degree of detail in the characters in each picture is remarkable. You can almost hear the conversations.

The whole exhibition just grew from this simple start. Paintings were elegantly displayed against the dark grey walls. Captions were clear and available from a QR code on my phone and the 28 paintinbgs were all well spaced so although the exhibition is a complete sell out you didn’t feel unduly crowded and had ample time to look at each painting. The most exciting innovation for us was the semicircular barrier at just below waist height around the majority of paintings which meant you could wait briefly for your turn to be one of the six people in the front line with an uninterrupted view. As we moved around it was fascinating to see how the same window, ther same model, the same yellow, fur-edged jacket, a globe and other props from his studio cropped up time and again. It seems that after that early blast of the outdoors he shut himself in his studio and just painted there. One aspect of his work I thought I knew was that subjects were always lit from the left. Quite a shock then to find three lit from the right: Girl with a red hat, Girl with a flute and The Lacemaker.

We took our time and wandered hither and yon, sometimes together sometimes not until we met up the the last room but as we prepared to leave we asked each other ‘Did you see her?” ‘No,’ was the response. We knew the Girl with the Pearl Earring was going back to its usual home the Maritshuis in the hague on 30 March but she should be here still. We retraced our steps, enquired of a guide and did get to admire perhaps, thanks to Tracy Chevalier, his most famous work. And very wonderful it is too. I have been reluctant of late to buy art exhibition catalogues but this was one I had to have and a fine exploration of his work it is. Reproductions of all the paintings but also lots of small detailed views to explore Vermeer’s technique. Many of the paintings were worked on for a lengthy period with evidence of recomposing them with overpainting revealed by x-ray analysis. Worth the trip to Amsterdam? Absolutely and there’s more to come.

As we went down the stairs to the loos at the exit from the exhibition, I noticed white fluffy things whooshing down from ornately plastered ceiling. It was a great installation and from the information desk we managed to elicit that it was by Studio Drift. The web confirmed that it’s called Shylight and there’s a fascinating video of it on their website and on YouTube.

We now had a couple of hours to pass before gpoing to the Concertgebouw for a concert at 8.15 pm. As that would not finish until well after ten, we thought eating first might be a good idea. I remembered finding a great bar to the southwest of the concert hall so we set off in that general direction and happened across a very suitable place. It wasn’t the one I remembered from my last trip – I later discovered that Brasserie van Dam was just one block further west. However the Eetcafé Schotsheuvel did us very well. It was pretty empty when we arrived and we had a beer wondering whether to just have the one and move on before finally deciding to stay and eat. The staff were friendly and became increasingly busy as by the time we left to head back to our concert, the place was heaving with locals – always a good sign. Extremely tasty crab cakes and fries with garlic mayo and a substantial pork rib and a decent bottle of wine saw the time fly by and our decision to stay well justified.

We make our way back to the Concertgebouw and settle into sided balcony seats with a good view of the stage. The concedrt is given by the City of Birmingham Symphony Orchestra which came to major international prominence under Simon Rattle who joined it in 1980 when he was just 25 and made it into a world renowned orchestra during his 18 years as music director. Tonight the baton is in the hands of the young Mirga Gražinytė-Tyla the Lithuanian conductor who became MD at the CBSO in 2016 at the age of 20. So what we were about to hear could be called ‘Simon Rattle’s Tyla-made Army’. Watford fans groan, others ask for an explanation in the comments!

*Concert-Gebouw exterior with excellent gold harp on the roof*

*Julia Hagen with cello and Mirga Gražinytė-Tyla descending theperilous steps to get to the podium*

The concert started with a piece I’d never heard of by Mieczysław Weinberg who was described as Polish-Russian and died in 1996. It was his Sinfonietta No.1 and was a rousing big orchestra number with loads of percussion – a big night for the glockenspiel and tambourine man – vast swathes of brass interspersed with lyrical folk tunes in the strings. It was 20 enjoyable minutes and had something of a film score feel to it. This was followed by the Shostakovich cello concert played by Julia Hagen a rising star according to the Citizens of Beethoven who awarded her the Beethoven Ring for 2022 and others. When I read she plays a cello made in Cremona in 1684, I was fearful of a trip on the lengthy flight of stairs conductor and soloists must use to make a grand applause-filled entrance. It was very well done and conductor and soloist clearly had a strong rapport. At the interval we went out into the bar and picked up a glass of wine at no charge. As Fran pointed out, it means they can get through the interval drinks dispense much more quickly when they are not faffing about with payments. We sat with two Dutch gentlemen who inevitably asked how we were enjoying Brexit. ‘Not!’ was our emphatic reply. They smiled wryly.

The second part of the concert was Prokoviev’s suite from the ballet Romeo and Juliet. It’s a work I know and love and I don’t think I’ve heard it played better than under Grazintye-Tyla here in Amsterdam. So many earworms from the dance of the Montagues and Capulets to the plaintive tune for the young Juliet – I’m still humming it now. After massive rounds of standing ovations we left the hall and knowing our hotel was in a street called Overtoom we boarded – at my insistence – a tram that said it stopped at Overtoom. Only it stopped at the wrong end and Google maps said we were 20 minutes walk from the hotel. I now know that Overtoom is straight as a die for slightly over 1.5 kilometres. So we walked back to the Rijksmuseum and the tram stop at Leidseplein and took the correct tram this time which left us with a mere six minutes walk to the hotel. Moral – swot up on the tram map before you dash onto the first one you see. So an amazing day of varied culture came to an end with a rewarding last glass of wine to round it off.

News

Nadal i Sant Esteve

Christmas Day was always planned as a quiet one. I needed to give my feet a rest so began the day with a leisurely buffet breakfast in the hotel for the first time (not included and cheaper on the Rambla!). A little light blogging, music and reading saw the morning whizz by. I decided to take a brief stroll around the neighbourhood finding a pretty passageway with orange trees – the mind turns to marmalade making in a month or so. There were a large number of other splendid examples of modernisme architecture – there were even plaques on the pavement showing on was on the correct route.

I’d been debating spending quite a lot of money on a meal at one of the two restaurants run by Martin Berasategui. Dee and I had a memorable meal in 2016 in San Sebastián at his original place. However I walked by them, looked online and Lasarte (3 Michelin stars) isn’t open until Thursday when I leave and Oria (just the one so far) on its site, won’t let me book for fewer than four people. My appetite is not that great at the moment so maybe I’ll leave it for another trip.

Boxing Day was all set up for a trip into the countryside to join Rosa and her mother Pepita for lunch. We’d agreed that I’d catch the 11:51 from Passeig de Gracia. I made an small error – I thought the Metro and train stations were connected – they are not – so I walk briskly to the train station three blocks up the Passeig. As I reach the platform the clock says 11:51 and there’s a train there so I jump on. After ten minutes it stops at Estacio de Franca which I think is jus a pause at a major calling point. After another ten minutes I investigate and find the train is at the buffers and I have to take the next one back to Passeig de Gracia and then get the 12:51 to Sils where Rosa will collect me. Quick WhatsApp to confirm late running and we’re underway again. We rendezvous OK and go to the lovely Terme Orion where Rosa and Pepita have spent the last three days relaxing after a flurry of family activity. My Spanish is a bit more relaxed this year and we are able to have a reasonable conversation with only occasional translating duties for Rosa. Food was great, wine all included and they wouldn’t let me contribute anything. A lovely afternoon – if a little shorter than planned.

Sils station and the Terme Orion in Coloma de Farners

Rosa and her mum are heading back home to Terrassa and fortunately Sils is on the way so they drop me off with twenty minutes to wait for a train that will categorically got me to the Passeig de Gracia – albeit ten minutes later than promised. It’ll be a bit tight to get to my Sant Esteve concert but more brisk walking to the Palau gets me there in time to hear the applause for the conductor coming on stage – from outside the door. They won’t let me in for ten minutes so I miss the first three items in full glory.

When I do get in I find that my seat is high up in the gods with only a partial view – I think I asked for ‘best available’ and it was certainly a sell out. In keeping with its Orfeo Catalana label, the only instruments were a piano, the giant organ and a trumpeter while there were choirs ranging from the junior and middle childrens’ choirs to the professional choirs of the Palau. There were some familiar carols – Silent Night, Little Town of Bethlehem and a Catalan one I’d heard at a concert by Pegasus the choir my son sings with back in London – Fum, fum, fum. It was a spectacular event full of joy and tradition and I think at one point there must have been close to a thousand voices on the stage and in the galleries on either side. Fantastic!

As an encore we had a rousing version of the Hallelujah Chorus which culminated in a flurry of unfurling of Catalan flags and shouts of ‘Independencia!’ It seems the prime minister has ruled out another referendum but there are general elections in May so it’ll be interesting to see what happens then.

I had a voucher for three euros so decided to have a glass of wine and send friends and family my reactions to the concert via WhatsApp What a great end to a great Christmas. As I walked back to the hotel I was struck by the variety of lights on each street – much less showy than London but original and (sorry) delightful. Here’s a selection.

Palau de la Musica, Passeig de Gracia, Rambla de Catalonia, Plaza de Catalunya, Gran Via des Cortes Catalans.

Uncategorized

Music, markets and Moritz

I’ve managed to do a few things I wanted to experience while in Barcelona but a combination of occasional hip gyp (osteoarthritis quite advanced) and less breath from the lingering flu, I’ve not been roaring about the place as I maybe would have in the past. I love the fact that the city is so well supplied with benches so I can sit and take a rest when necessary. Isabel Allende has a fine quote in her book I just read A Long Petal of the Sea: ‘Pain is unavoidable, suffering is optional’. As I set out on Christmas Eve to enjoy the guided tour of the Palau de la Musica, I was able to have a coffee, perch on a bench and contemplate life at a slower pace.

Benches and cafes on the Rambla de Catalunya.

It also gives me a chance to look around and see elegant buildings like this. There have been some rather (imho) unsuitable replacements and refurbishments to the classy streets of the Eixample, the area into which the wealthy of the city expanded in the early twentieth century with its grid of vertical and horizontal streets so it’s hard to get lost. Enough rambling – on to the Palau.

At the Palau, I join a group of two Americans, one Hungarian and eight Chinese – probably statistically representative of relative populations. Our guide is Marta who is Catalan and a pianist with the organisation who also used to play cello but gave it up as too difficult. As often, the tour begins with a ten minute video of the history and diverse nature of music played at the hall – Montserrat Caballe and Pablo Casals of course but also Ute Lemper and Herbie Hancock. Marta returns and asks if any of us has ever been so I can show off with my attendance two nights ago. I can also answer her enquiry as to whether anyone knows the architect. I do – it was Lluis Domenech i Muntaner, another of the famous group of modernista artists, which included Gaudi. Together they designed the Catalan equivalent of art nouveau or Jugendstil elsewhere in Europe. What I couldn’t answer was how long it took to build – a staggering two and a half years. My guess would have been ten. There were obviously lots of wealthy merchants investing their profits from the Americas in a cultural centre of some magnificence in Barcelona.

A ticket window, roof detail and the main entrances wide and high enough for horse-drawn carriages to enter.

The interior is just breathtaking. Every surface is decorated with trencadis, there are thousands of plaster roses – the flower of Catalunya – and sculpture and plasterwork of great significance. There are lots of red and white cross flags which are familiar in England especially around football tournaments. St Jordi (George) is the patron saint of Catalunya too. Lluis certainly thought about what he was building. Alongside the name of the Palau are the words Orfeo Catalana reflecting the origins of the hall as a place for choirs to practice and sing – well they couldn’t watch Strictly or The Voice so they had – and still have – lots of local choirs. I’m hoping to see some of them at the special Sant Esteve (Boxing Day) concert which is said by some I’ve spoken to to rival New Year’s Day in Vienna. As with the exterior a few photos won’t do the venue justice but let’s just say a bust of Beethoven surmounted by horse-riding Valkyries on one side of the stage and sculptures of all the muses behind the performers on stage make this a very special place. The glass sunburst at the centre of the ceiling which allows natural light through is a masterpiece of both design and engineering.

Some of the muses and another flying horse.

After a coffee in the cafeteria, I set off through the old city centre towards the cathedral – I’ve never seen it without works going on, maybe one day. Then I just have to stop for a beer in Plaza Reial a long-time favourite. One of the limited advantages of travelling alone is that I’m doing far more reading than usual. Instead of chatting over a beer, out comes the kindle. So far I’ve read William Boyd’s rambunctious The Romantic in which we meet Byron in Italy and discover the source of the Nile. This was followed by Kate Atkinson’s fabulous Shrines of Gaiety featuring the dodgy world of nightclubs in interwar London. And as mentioned before, Isabel Allende’s epic Long Petal of the Sea which begins with the horrors of the Spanish Civil War in Catalunya and escape to France and from there to new lives in Chile only to become involved in another coup there. And now I’m enjoying Hotel Iris by Yoko Ogawa – another tantalising excursion into the strange world of Japanese fiction. And the Mcs are lined up next Ian McEwan and two from Cormac McCarthy.

From here it’s a short step along the Rambla to the Liceu opera house which sadly had nothing I wanted to see this trip and then for a walk through the fabulous Boqueria market. I’ve probably rambled on about my love of local markets and my regrets at living in a hotel – maybe an apartment next time. The colour, the noise, the camaraderie of the market is infectious. No room at the market bars though so I found a small bar in a side street for some gambas al ajillo and esparragos.

El Liceu, entrance to and interior of the Boqueria market.

I have another short stroll to my next destination MACBA the museum of contemporary art in Barcelona. It’s new to me although it opened in 1995 so we must have missed it on previous trips. It’s a great white palace with a warning to watch out for skateboarders on the approach – what is it about art centres and skaters? One attractive aspect is that it has slopes not steps to link the various levels – reminding me a bit of the XXI gallery in Rome I visited in 2017. My appreciation of cutting-edge contemporary artwork is somewhat unrefined but I found two of the artists exhibiting here quite affecting. The Colombian Maria Teresa Hinchcapie which involved performance art, exploration of every day objects and photography gave me plenty to think about. Cynthia Marcelle is a Brazilian artist who had given a number of collaborators some materials to arrange as they wished. The result reminded me of a Cornelia Parker explosion of objects. There was another exhibit based on a Mexican Mixe myth which I found impressive in scale and impenetrable in meaning.

MACBA exterior, Hinchcapie video, Mixe myth and Marcelle room.

In the permanent collection were a number of pieces I really enjoyed – a Tapies bed and a series of pages taken from a book as if they had been typed without a ribbon so that light projected the text onto the wall. It’s by Mar Arza and is called Nada reiterada (nothing repeated). Most enjoyable for a bibliophile.

The evening was rounded off in a convenient microbrewery Moritz opposite the hotel which was one of the few places open on Christmas Eve. It has a fine selection of house beers – lagers, IPAs a red IPA and a porter style Moritz Negra (black beer). Oh and it had a perfectly fine food menu too.