Sorolla

A day on Montjuic

I so enjoyed my visit to Miro’s studio in Mallorca last year that I decided to visit the Fundacio Miro in Barcelona. It’s situated up on Montjuïc the mountain where the Olympic Park was in 1992 and which continues to be a tourist attraction. Three stops on the Metro to Parallel and the the Funicular up to Montjuic.

It was a disappointing trip compared with the ones in Bilbao, Budapest and San Sebastián in that it’s almost entirely in a tunnel with just occasional sights of scrappy play areas and none of the vistaS across the city I was hoping for. However, a few steps from the top of the funicular, my wish was granted with this view dominated by the magnificent Sagrada Familia.

On the way to the Miro Foundation was a sculpture garden with some of the worst signage I’ve ever come across – tiny aluminium stakes with titles engraved – totally illegible. At Miro, things were handled much better. There is a huge collection of paintings, sculptures, tapestries and found objects displayed in spacious galleries. I’m glad I’d been to the studio in Mallorca to get an idea of Miro’s working methods. It’s also good to see that artists who choose to follow a different kind of visual vocabulary are well grounded in basic draughtsmanship.

Exterior, an early portrait and two more typical Miro painted works.

I particularly love his amusing sculptures from everyday objects. As a not-very-royalists person I was much taken by King, Queen and Prince (below right), the huge (nearly 6 metres across) Sobreteixim with eight umbrellas and the dramatic use of a coat hanger.

Another artist provides a fascinating object here. Alexander Calder was the only non-Spaniard invited to contribute to Spain’s pavilion at the 1937 Paris World Exhibition. Alongside several Miro canvases, Picasso’s Guernica, Calder’s Mercury Fountain was seen as a further protest against the atrocities of the Franco regime including the attack at Almaden the town that provided a substantial quantity of the world’s mercury. Calder donated the sculpture to the Miro Foundation and we view it from behind a glass screen since the toxicity of mercury has been discovered. Funny thing is the Egyptians knew about mercury too and thought it chased away evil spirits – may have killed some of them too.

I had a coffee in the cafe before continuing my walk along Montjuic. I was heading inexorably to the National Art Museum of Catalunya, which I had told myself I wasn’t going to bother with on this trip. I remembered, bothwith the children ages ago, and with Dee more recently standing on its terrace on a Friday evening eagerly awaiting the magic fountain’s display. No use waiting for it on Wednesday afternoon. I do remember it as quite spectacular with water jets synchronised to different music genres at different times and changing colour appropriately. Looking down at it brought back good memories. I then thought ‘Well I’m here, it’s free with the Barcelona card so why not?’.

Looking down towards the magic fountain and the National Gallery.

The majestic central dome covered an area in which there were easels for wannabe artists and a fabulous soft play area with kids swarming all over. If that what it takes to get folk in and keep galleries alive, I’m all for it.

I decide to eschew the old masters which I have seen before and head for the modern floor upstairs. Neatly divided into four areas it shows the development of Catalan art from the turn of the century to the present day. In the very first gallery devoted to modernisme, what did I see but the actual dining table Gaudi had designed for Casa Battlo.? There were lots of beautiful wooden, glass and metal objects in that fluid style.

As I progressed through the galleries I saw works by familiar names like Rusinol, Sorolla and Picasso. I was especially taken by a cunning Rusinol self portrait. Look carefully!

In the next room I was introduced to the work of a female photographer Mey Rahola who shared a love of sailing and photography with our friend Joe Weiler in Boston. She was lucky to be around at a period 1934-36 when it was OK for a woman to engage in such pursuits. The Civil War put and end to that as she went into exile in France but had developed her own documentary style and continued to take photographs professional during the Second World War.

A new set of rooms for 2022 are devoted to the art of the Civil War period and range from propaganda posters, depictions of the horrors of war reminiscent of Goya – one wall of etchings reminded me of Los Caprichos. It’s interesting to see how Spain is re-evaluating the whole period that was so traumatic for so many. When I raised the refugee elements in Isabel Allende’s book with Rosa and Pepita over lunch Pepita didn’t really want to discuss it as, although born after the end of the war, so much of her childhood and early years were shaped by it. One of Rosa’s video installations Lost was on the subject of babies stolen by the church during the Franco period. It casts a long shadow.

Memories of Goya – a series of etchings and *Mass execution in the bullring at Badajoz* which reminded me of his famous *Third of May.*

Enough gloom. Back out into the sunlight of Montjuïc and a walk through the Botanic Garden towards the Olympic Stadium where a convenient bus arrived and took me back to the funicular. A little later a further trip to the Cerveseria rounded off a thoroughly enjoyable day up above the city.

Malaga and Cadiz 2019, Spain again

Malaga Day 2 – art, cars, lights and music

I had a bit of a lie in this morning and decided to take the car since I was going to visit the Automobile Museum which I thought would be interesting after seeing Cars at the V&A earlier this month. By a miracle my worst fears about parking the car on arrival were swept away by the fact that it has free parking in front – well I suppose they are all about cars. But first I went to see the other collection on the same site in a disused tobacco factory – an even more impressive building than Carmen’s in Seville. This was the Russian Museum which had three exhibitions. The first was devoted to the depiction of women in Russian art over the last two centuries and was more interesting for the social observation of costumes and customs than for the intrinsic merit of the canvases displayed – far too many in my humble opinion. Eyes started glazing over by room 5, beautifully displayed and labelled though they were. Given some of the obvious disparities between the have and have not classes it was pretty obvious why the Revolution happened. The next exhibit was the work of Nicholas Roehrich of whom I’d never heard. There were some amazing landscapes and allegorical paintings in alternately sombre and vibrant colours. He travelled a lot and ended his life in India where a wall full of square oils showed the Himalayas in all the variety of lighting stages that mountains pass through. He was a revelation but cars called so I’m afraid I skipped the third show featuring the life and works of the poet Anna Akhmatova.

The Automobile Museum was just fabulous, charting the history of vehicles from earliest steam driven carriages through the vintage cars from the USA and Europe to future concept studies. It’s massive but very engaging as the official title is Museum of Automobiles and Fashion and beside each vehicle was a designer dress or outfit from the era so you could imagine these elegant folk installed behind their chauffeurs or later taking the wheel themselves. One car reminded me of Peter Blake’s painted Mersey Ferry, Everybody Razzle Dazzle, that I’d seen last week only to discover that it was painted by Sonia Delaunay in 1928.

There were a lot of very sleek and beautiful beasts on show but I was left feeling very proud of Jaguar’s contribution to motor car design. And they had some funny ideas at Rolls-Royce too!

I then stopped off at the bus station to get a ticket for tomorrow’s planned trip to Torrox to share the Fiesta de Migas and watch Watford v Man United with an expat Watford friend. Sadly the first bus on a Sunday was at one and takes an hour and a half which would leave no time for fiesta and the last one back was at five which would leave no time after football so after a WhatsApp exchange I concluded that I’d do abstemious fiesta-ing and drive for convenience. Thence to my next port of call which was the outpost of the Paris Centre Pompidou which opened here last March. It’s an underground structure with a glitzy glazed Rubik’s cube on top. I can see it clearly from my balcony and thought it would be worth a visit.

Inside it’s a vast space with equally vast canvases and installations which appealed in varying measure. The highlights for me were a massive Miro and an equally large scale Peter Doig but I was also amused by the sheep installation that filled the first room. Sadly they wouldn’t let us sit on them despite their destiny as stools.

When I got back outside I could see my balcony up on the Gibralfaro Hill, providing a nice symmetry. The Centre is on a newish (2011) development of the waterfront in Malaga called Muelle Uno. It has trendy shops and restaurants – chain and individual and I decided it was time for some seafood and a glass of Verdejo a favourite white from next to La Rioja (will that count Les?).

My room second floor just right of the tree.

I retrieved the car from the parking under Centre Pompidou with some distress. As I descended in the lift I saw no pay station and assumed it would be near the exit. It wasn’t so I had a stream of three needing to reverse so that I could go back to the machine – hidden behind the lift – and then emerge. Much tooting and muttering about Los Ingleses – expect more in future. I returned to the hotel and parked up and then started the walk back down when a convenient bus arrived to save me the trouble. However I very nearly had to arm wrestle a huge French woman to get on board. She was determined to be first despite her lowly rank in the queue and had the bulk to determine the outcome. At the city centre bus stop I walked to the Museo Carmen Thyssen to admire the work of Spain’s eighteenth and nineteenth century painters. I recognised two or three from the recent Sorolla exhibition in London now back home and was struck by how art movements seemed to move across countries with similar preoccupations in Russia and Spain in the same periods. I was warned on entry that there was to be a concert at 19.00 so my visit was enhanced by the sound check for the orchestra and warm up exercises of the choir. I didn’t stay as there were few tickets left.

My friend Graham was in Malaga a few weeks ago and had recommended the restaurant Batik – if I could find it. I wandered through a few streets, stopping for the occasional beer in the odd neighbourhood bar and discovered that Batik was close to the Plaza de la Merced and the Teatro Romano. It was great recommendation with super carpaccio de jurado and tuna tatziki all washed down by a good Marques de Riscal. While I was there a couple of young ladies asked me to take their photo and we then got chatting. One of them worked in PR for Malaga Tourism so I offered my services should they need English copywriting or proofing. While we were conversing (pitching?) the most spectacular light show took place against the backdrop of the Alcazaba which in one sequence appeared to be self-destructing stone by stone. Something similar happens every year it seems. My homeward saunter was enlivened by superb temporary Christmas light displays:

and groups of musicians at seemingly every corner. One of them appeared to me to be the Andaluz equivalent of Morris (pace Pete and Richard) while another was an energetic jazz group none of whom could have been more than twenty five, a promising sign for live music in the south. Then it was a taxi up the hill, a glass of brandy and some light blogging.

Boston + July 2014, Retro-blogs

Farewell 2015 in Valencia

After spending an excellent Christmas with Dee’s sister and brother in law in Sucina down the coast in the province of Murcia with Christmas lunch in Santiago de la Ribera and a Boxing Day excursion to Cabo Palos and Cartagena, we set off for Valencia for the week until the New Year. Given last year’s experience in Cadiz we left the car back at the airport and took their shuttle bus to the excellent boutique hotel Hospes Palau de Mar which is in two converted merchant buildings not far from the old city and the Turia Gardens, the 9 km super-park that semicircles Valencia in the former bed of the diverted river Turia.

We were too early to check in so left our luggage and set off for a Sunday flea market held behind the Mestalla – Valencia Football Club’s stadium where we went to see a match back in 2006. Sadly by the time we made it, the majority of stalls had packed up and gone. So it was time to find somewhere for lunch and console ourselves that if we had found anything interesting it would have probably been difficult to get it back home. After going back to the hotel and establishing ourselves in our room we walked off to the Plaza del Ayuntamiento where an ice rink was installed and fun was being had by all amid bright white light decorations on all the buildings around it. We found a lovely little family bar Jamon del Medio just along from the hotel so we dined there and only had a short stagger back to the hotel.

Next morning we took the open top bus tour around the old town, down past the fabulous City of Arts and Sciences, Oceanografic aquarium complex to Las Arenas beach and the Marina where we got off to explore.

The wide sandy beach is fringed by a promenade with at least a hundred restaurants all promising the authentic Valencian paella – well this is the home of the dish after all.The surrounding area also has some interesting old buildings including beautiful wrought iron warehouses and the old Custom House with its tall clock tower. There are also lots of signs of the Americas Cup which was based here in 2010 and of the Grand Prix de Europa which was held here from 2018-2012. It was a bit early for paella so after a coffee we jumped back on the tour bus and headed back into the old town. P1010742 There’s lots to explore here to with the modernist North Station and the Central Market with lots of local iconography and products. We were going to go to the Fine Arts Museum but of course it was closed on a Monday so plan B was back to the hotel to chill and read before a further evening explore of the centre. It took us to what was to be a breakfast gem for the next three days – the Café Agricultura which is part of the HQ building of the Royal Valencia Society for Agriculture and Sport. We entered a nice-looking cafeteria for an aperitif and idly picked up the menu which did a simple breakfast which was great value. Only when we ventured to the loo did we notice that the cafeteria led to a massive entrance hall with a monumental staircase and apparently, lots of meeting rooms and full scale dining areas. They also run the young farmers’ clubs and bridge and chess clubs along with influencing agricultural policy in the region.

After juice, coffee and croissants there next morning we picked out an interesting-sounding place from the guide book – the Casa-Museo Jose Benlliure. Now he was a painter I confess to being unaware of but the exhibition occupies his former home in which his garden studio was left much as when he last used it. Cluttered with inspirational eclectica he’d gathered during the many years up to his death aged 79 in 1937. The paintings were OK but the place and the process were fascinating especially to my newly-developed watercolourist companion. P1010788 P1010787

We walked from his house along the Turia Gardens to La Lonja one of Valencia’s must-see buildings. It was the silk traders’ exchange and the building was started in 1492 – what a busy year that was in Spain what with Columbus setting off from La Rabida. We had no idea that Valencia had loads of mulberry trees and a thriving silk industry way back then but the gothic building with its barley twist columns echoing the palm trees that abound in the city and ceiling bosses like bundles of silk is clearly very important as it’s been a UNESCO World Heritage Site since 1996. Nearby a group of women lace makers proved that fabric crafts are still alive in the city.

The cathedral is close by but we’d done enough sightseeing for one day but maybe tomorrow, who knows? We did in fact go back there after lunch which was in the Taberna Vintara in Plaza de la Reina which was most amusing with some interesting staff and customers. While walking about we spotted some wall graffiti Banksy-style but always of cats. A short Google revealed these to be the work of Valencian street artist Julia Lool and very amusing they are too (her blog does have English translation).

The cathedral is an enormous building constructed at various times since the thirteenth century. It has gothic, baroque and romanesque elements, a couple of Goya paintings and an octagonal tower, St Michael’s appropriately, that apparently gives great views over the city – we decided against climbing its 200+ steps. Most importantly for Wagner fans, it is home to the Holy Grail. In a chapel is a brown agate chalice said to be the one used by Christ at the Last Supper. It’s disputed by the Vatican but revered by the locals and has been used by visiting popes to celebrate mass.

City of A & S P1010801

You can’t be in Valencia and not spend some time in the City of Arts and Sciences designed by architect Santiago Calatrava. Sadly there was nothing of interest on at the Opera but the Science Museum had a brilliant range of interactive exhibits which help you to understand some complex scientific concepts by walking through them, touching things and experiencing their reactions. Another exhibit looks at materials and things that are made from them with an emphasis on furniture and domestic items. A real fun couple of hours and a good café to rest afterwards. I was never very good at time keeping and the human sundial outside was baffling.

We then moved on to the Oceanografic, deemed the best aquarium in Spain. It may well be but its pungent smelling underground caverns soon drove us out so we missed the fish but caught a dolphin display in the pool and saw some amazing scarlet ibis in the aviary

Then it was time to go to the beach in quest of the perfect paella. Whether perfect or not it’s too soon to judge but we had a very good one at La Perla but it is impossible to choose from the jostling menu thrusters touting for your euros. A gentle digestive stroll along the beach followed in wonderfully blue skies and warm weather for the end of December.

That evening we heard a great commotion outside the bar near the hotel we were in and went outside to find the streets filled with hundreds of people in fancy dress running along. We went with them following the sound of some insistent drums to the Plaza de la Reina where we discovered this was the finish of an annual charity 5km run that’s held on30 December every year. The San Silvestre run has been going since 1983 and attracted an estimated 15000 to 18000 runners of all ages. As with so many events like this there are some serious runners but many are in fancy dress and there to end the year with a bit of fun.

New Year’s Eve was our final night in Valencia and we started it with a visit to the Museum of Fine Arts we couldn’t do earlier in the week. It has some very fine exhibits with several paintings by Velazquez, Ribera, Murillo and Goya and lots by Jaoquin Sorolla who we didn’t know very well but was a good friend of John Singer Sargent and exhibited with him a few times. There were some very fine portraits and ‘plein air’ works as he espoused the vogue for painting directly in nature in the open air not in a studio.

Veronica of the Virgin WS Flamenco Dancer - Mariano Benlliure sculptor Dee was very taken by this early fifteenth century Virgin by the Valencian artist Peris Sarria. There were also lots of sculptures, including this flamenco dancer, by Mariano Benlliure the brother of Jose who’s house we seen earlier. Their father and another brother were also painters so there was quite a dynasty of artistic Benlliures about which we had previously known nothing at all. Cultured out, we had a coffee at the museum and a stroll back to the Plaza de la Reina for another light lunch as we had booked the special New Year dinner at the hotel. This proved a riotous affair with silly hats, whistles and streamers and much jollity among the staff as well – many of them were international catering students drafted in for a big party by the hotel. It was a fine way to see in the new year.