Christmas Eve has a special meal planned at the hotel but first there’s some boring admin to deal with. So after breakfast: Book a PCR test for Monday two days before flying home. Check 7 minutes walk from hotel, walk in service no appointment needed. Brilliant.
Christmas Day visit to Rosa and lunch out in the country will need a car. None available in the city but I can pick one up at the airport tomorrow and it’s on the way anyway. Check. So now to the real business of the day – a trip to the Fundacio Pilar i Joan Miro.

The location is out in the western suburbs of Palma in an area called Cala Major and it takes about fifteen minutes in a taxi from the hotel. One of the things I wanted after the grey of London was some blue sky. Not yet in Palma but today as I walk towards the entrance the cloud lifts and there is a good-sized patch of blue. And of course with Miro there will be more sun inside.
My visit was a little truncated as a large part of the building was closed for repairs and remodelling but both in the extensive gardens where big sculptures were displayed and in the studio where the stacked canvases there were ample testaments to the genius and prolixity of Joan Miro. He and his Mallorca wife Pilar, lived on Mallorca from 1956 until his death in 1983. He used a small building Finca San Boter while his friend Josep Sert was designing and building a purpose built studio, now known as the Sert Studio. Up in Boter it’s fun to see the remains of Miro’s sketching in charcoal directly onto the whitewashed walls and also to note the eclectic collection of everyday objects he took inspiration from.
The Sert Studio is a fine building from the outside with a fluted roof either echoing waves or clouds and slanted tiles to allow filtered light and air into the capacious balconied studio. I was utterly gobsmacked by the sheer number of canvases leaning against each other and the walls. While there are strong similarities in Miro’s basic mark selection and palette, each canvas has a different atmosphere and you wonder what the finished articles would have looked like. It’s always fascinating to see artists’ work in progress and there’s plenty of it here.

There was also a rather good fifteen minute video about his life and work on Mallorca which after climbing and descending the many steps to Boter studio I was happy to sit for a while and watch. I was very pleased I’d made the trip out here and as I left wondering where I’d get a taxi, I came upon a bus stop that said Route 46 went up the Passeig de Mallorca which is very close to the hotel. It also had a QR code that informed me that a bus was due in ten minutes so I decided to wait. Well worth it! It headed off in totally the wrong direction according to my understanding of where Palma lay, but eventually came to a terminus in Genova, waited for a while and then returned me through bustling suburbs including one that must have been close to the more infamous areas of Mallorca as there were adult only entertainment bars, sex shops which I found a bit surprising next to supermarkets and pharmacies. However it did pitch up where I wanted and I had a stroll back to the hotel with a few stops for liquid, but little food refreshment as a six course meal was planned for nochebuena in the hotel. This began at nine o’clock began with cava, a delicious fish soup, crispy octopus and fillet of sea bass accompanied by frequently poured Verdejo and after a short pause and change of glass, a Rioja went nicely with the lamb stuffed with foie gras (apologies vegans!). I declined the tiramisu with red fruits but did have some home made turron (nougat) with my coffee. By now I was chatting to my neighbours Carl and Cristina, Swedish fiancés who were here for Christmas before heading to Andorra for skiing where they had become engaged this time last year. Sampling a copa or two of Mallorcan brandy, we got on well and I have an invitation to their wedding in Stockholm in August. I may just be too busy with centenary celebrations at Watford to attend however. But what a lovely Christmas Eve and one that didn’t end up in hospital!



















As we wound gradually upwards I was struck by a windmill in the middle of Makigawa and later had a stop to snap a typical settlement in one of the flat bits. Japan is 73 percent mountains with the population crammed into a quarter of the land area. At this time of year, April, the nascent leaves on the deciduous trees give the mountains a very fluffy look. I’m told they look great in the autumn too when the acer go through their colour changes. The little bluebottle buzzed its way nicely up through the Fukushiyama Pass at 323 metres above sea level and onto the Kannabe Plateau. On the way I had passed several stopping points for adding chains or changing to snow tyres but my favourite was one that had the tyre sign but also “Nap Parking”. The Japanese are the world leaders in napping in my experience – on the subway all the time, on buses, planes, on park benches so given the distances you can drive it’s probably a good idea to stop for forty winks. I didn’t nap but did have a coffee break. Route 9 goes all the way to Tottori but gets sucked into a toll-free expressway so I had to ignore the very polite “turn around when possible” and follow my nose. It led me to a parking lot called Tottori Sand Dune Parking. These are Japan’s only dunes and they are constantly shifting, mostly on today’s evidence inland across the roads.
The whole coast along this stretch has been designated the San-in National Park and was awarded UNESCO Geopark status in 2010. I explored an immediate stretch of, frankly not that impressive dunes when you’ve seen Braughton Burrows and the Coto Donana. However I spied a village and set off to explore. It was Iwami and behind a fisherman mending his boat was a shrine – no chance of getting a stamp here but the steps beckoned up towards the unpretentious Ajiro shrine. 









It’s what travel’s for.
We did our purification in accordance with the helpful sign: rinse right hand, rinse left hand, take a sip of water from right hand, hold dipper up to let water run off and replace. Slick by now these fast-learning children. So too are the colourful strings of crane origami figures strung into long skeins.


We walk up through several layers of torii until we think if we don’t head off back down this is all we’ll do today. Chris bought a fine yukata from one of the stalls and repeated attempts on messaging devices failed to get us all to meet up but then Helen, Martin and Alex bumped into us as we were sampling our first taco yaki stall. Octopus balls had been consumed in Trafalgar Square last year at the Matsuri, but piping hot in the street in south Kyoto was a different matter. We all took the train back to Gion-Shinjō in order to walk along Shinjō dori the street of department and high end stores On the way we passed a cat and owl cafe another of the children’s tick lists so we all spent half an hour stroking owls except for those with labels “I’m taking a break”.
Monday had been a bit grey but Tuesday gave us full sun. It was already warm as we walked to the Higashi Hongo shrine we’d seen on Sunday. Compared with many it was very quiet and quite amazing in scale having rooms with over 200 tatami mats (geeks feel free to estimate square metrage – the mat is a standard of measurement at 1.91 x 0.955 m in Kyoto although I learned to my surprise that mats are slightly different in other regions). There were several stamps to collect for our hons and quite a trek to find them all. This is a massive monastery with private monks’ quarters all round it and incredibly impressive public areas. It was great to visit it early although there was a feeling that despite its proximity to Kyoto Station it is not on the big tourist tick lists – it certainly won’t be in the top ten, and given the choice maybe not even the top fifty. It had in a museum and auditorium are a great model showing shrine construction and some ceremonial leaves that are carried in processions.
After a leisurely and fascinating visit we walked to the subway en route for the kids’ first Japanese castle.
The entrance was a short walk away and the heat of the sun was increasing – 22 degrees were indicated on a signpost display. There was little in the way of a queue and we went through a brightly coloured main gate into the palace proper. It came as no surprise to that our friend from Nikko Shogun Tokugawa Ieyasu had played a major part in its establishment. What was more surprising was that his descendant Togawa Zzzzzzz should have summoned all the shoguns here to persuade them to give up their power and restore it to the Emperor. The voluntary yielding of power? Now that is a departure from normal power politics. The journey round the palace was interesting as it took place along the so-called nightingale passage. This is a floor that squeaks melodically due to the method by which the huge floorboards were fixed with nails and brackets that allowed noise-emitting movement. Rather hoarse nightingales methinks. At first the rooms were impressive and highly decorated designed to shock and awe visitors but these gradually gave way to more modest private rooms where no one but the shogun went.
We then sauntered through the garden where we again wondered if the rich and powerful had a special long flowering species of cherry tree as the castle hanami was still resplendent. We got lucky with lunch in a restaurant right by the castle. It was not busy today but to reach the loo you passed through a room with enough tables to cater for the coach parties that will arrive in greater numbers come summer.and then took the subway to Gion which we’d really only seen a glimpse of and which is the famous old geisha quarter. It’s filled with narrow streets of wooden houses and gives a real impression of how Kyoto used to be. Today the only geisha visible were tourists who had rented kimonos from the many outlets available. As we came to the stream I mentioned that last time we were here I’d photographed a heron. A look the other side of the bridge and there it was – could well have been the same one, just like me a bit older and greyer.
Across the bridge we found fish-shaped doriaki another tick list item and ice creams and then sadly itàtime to return to the hotel and for the family to head for the shinkansen back to Haneda Airport to a hotel before their early flight back on Wednesday. I had a room change as I was renting a car in the morning. It had a great view to Kyoto Station with next morning abseiling window cleaners.


I’d promised the grandkids a bit of magic on the train and they were amazed when their forward facing seat was pivoted so that they could face their parents as a four.
We whizzed off at high speed and through suburbs, tunnels and occasional stretches of countryside and were in Mishima within the hour. It’s over a hundred kilometres and given four station stops speeds must have been up around 180 km/h at times. At Mishima we changed to a local train to Shuzenji which is half way down the Izu peninsula. This was a fun ride with speeds which allowed you to look into peoples’ back gardens, see folk working in the rice fields and admire rural building styles. It also gave me time to contemplate that I had a vivid picture of my phone in the net on the back of the seat in front of me on the Shinkansen – probably in Nagoya by now. I did this five years ago when leaving Tokyo for Hong Kong and somehow it was produced for me to collect in Hong Kong at the airport. At Shuzenji we had to take a bus and sadly because of a change in our departure from Tokyo we had nearly two hours to kill in Shuzenji. Time for lunch. With all our luggage we didn’t want to stray far and despite worries about my granddaughter’s likelihood of finding something she could eat we entered a restaurant with a Japanese only menu, some helpful plastic plates in the window and a proprietress whose English consisted only of numbers, we enjoyed a great traditional Japanese meal.

Having warned the children that all onsen (hot spring) bathing in Japan was always in the nude after having a really good scrub in the shower to keep the spring water clean, we booked the private onsen. It was a bit small for five and very exposed to a howling gale so I left them all to it and went to pursue the return of my phone. I found the number for Japan Rail lost and found and called it but no one spoke English so the helpful staff spoke to them in Japanese with the train, coach and seat details I’d written down for them with a description of the phone: Samsung, black wallet with business cards. In the conversation I heard the word meishi which I knew from previous trips meant business cards. Great relief – they had my phone and agreed to send it to our next hotel in Kyoto on Monday. It cost 907yen – about a fiver – but that’s so much better than an insurance claim and replacement. We all met up in the lounge with the family having enjoyed their onsen experience so much that we all decided to go to the public one next morning before breakfast. We’d spotted a sign to “Beach Walk” and decided to give it a try. At the foot of a set of rather uneven steps we found ourselves in a car park and as we rounded the corner this view confronted us.
What a stroke of luck! Many people visit Japan and never see the sacred mountain because of cloud. WE got her in resplendent beauty with a defining strip of cloud as well. We walked back along the beach in the almost completely circular bay but then emerged to confront a gale so strong it made everybody work hard and literally took my breath away. I always carry an inhaler for my asthma but it’s a comfort blanket from the old days but before making it, in stages, back up the steps I had to have a puff.


Underneath the station as with most is a retail and culinary plethora of opportunities. We went for an interesting Japanese take on Italian and on leaving I suggested that if we took the adjacent exit we might be quite close to the hotel. To everyone’s amazement we were right by the lobby steps. I confess it was just good guesswork as these subterranean passages are totally disorientating. A plan was hatched for the next day which involved meeting up with the sister of one of Chris’s mates who happened to be in Kyoto as part of a world tour.
My name is entered in the Etihad system as RAGGETT/MIKE but my name on my passport says RAGGETT/MICHAEL and for security reasons they have to match. Don’t know how it happened but they won’t check me in. I am presented with a call centre number which I dial, run through the options and am told my call is ending now. So I dial again and press different options and eventually speak to Marije who is in Belgrade and tells me I need to photograph my passport (thank God I have a phone with that capability – trying to grab it in a Photo-Me booth boggles the mind) and reply to an email she’ll send me. No email arrives. I try Heathrow WiFi. I switch that off and try 4G. Still no email. So I go through all the button pushing again and eventually and miraculously, reconnect with Marije. She gives me her email address and I despatch my passport’s photo – not a work of art taken while balancing it on a suitcase and using the camera on a new phone for the first time. By now the best part of an hour has passed and there are only two staff left at the check in desks who urge me to hurry. I explain that while I may appear to be on the phone, I’m actually hearing Balkan ‘hold’ music and can’t tell it to hurry. Marije’s voice returns after an age to tell me that it’s fixed in the system and will cost me $149.90 (how?). So I now have to dig out a credit card, read her the details three times – for security – and then go to the desk where a frustrated agent had really wanted to close five minutes ago. She puts a Tokyo label on my case after I ask her to remove the one for Abu Dhabi and then a suited gentleman colleague escorts me straight to the gate. My original refusenik check in agent says, “Oh you made the flight!” With a rather surprised tone. I am on the flight by the skin of my teeth but have to go to the transfer desk at Abu Dhabi to get a boarding card for the flight on to Tokyo.
I also loved the chess set in the form of fingers which was Dali’s homage to Marcel Duchamp. In the attic is a great display of Gala’s sumptuous frock collection – it’s the era of frocks, OK.



It is a romantic and beautiful cove (below right) but just as I was about to settle for a beer on the front the rain started. It was nearly time for lunch so I went up to another favourite spot the Faro de San Sebastian. As the drizzle grew stronger we needed the lighthouse to be pointing inland. Now that place had changed – a local bar/restaurant has become a posh hotel with lots of weddings and corporate meetings it seems. Well it’s a great location on a good day and at least comfortable for a snack out of the rain.









