Christmas boxed

Oh dear, this is not right. I go out for breakfast in torrential rain. El Sabio street is flooding and palms are reflected in the puddles that pigeons have been drinking from with gusto. I’m boxed in. What to do?

Well there are lots of people to WhatsApp and email with greetings, I have the most brilliant Ian McEwan book to read and I need to book somewhere close for dinner as I’d been warned that lots of places are fully booked on Christmas Day. I pop out again briefly for lunch and later catch the film Hedda being streamed. Having seen the version at the Orange Tree recently, this film was interesting in its Downton Abbey silliness but I was glad I’d seen a more faithful version as well. Then it was back to McEwan’s What we can know while listening to Radio Classica. The book is a masterly conflation of literary detective work, post-apocalyptic vision, love, infidelity, sex and academia – so far. It was still raining, and apparently from El Tiempo on TV next morning there was snow in the Pyrenees. Fortunately the Lobo Blanco was only three minutes away and well worth the visit. Friendly staff who didn’t speak to me in English – result! – an open kitchen where I could see my fabulous duck breast being prepared – I asked for it rosa and indeed it was beautifully pink and tasty with excellent skin-on fries. And as it was Christmas Day when they said would I like a brandy to finish off the meal, it was hard to resist. Santa came late to Alicante but he came!

Normal service was resumed on Boxing Day with sun slanting on the buildings opposite when I woke up. I’m spoiled for breakfast choices and chose a new one for Boxing Day which was well up to scratch. I strolled then through the Barri Vell again with its fine buildings like the Basilica de Santa Maria in the sun.

I soon found the Museo de Belenes open today. It’s a large collection of finished tableaux as well as vitrines of characters that may be used to form them. They can be in wood, plaster, clay and papier maché. There was one enormous one prepared specially for the 50th anniversary of the foundation of the Association in 1959. Also there were examples from Argentina and Venezuela and the text suggests that Francis of Assisi started the trend back in 1223.

I then move a little further towards the sea to MACA the Museum Of Contemporary Art which enchanted me for several hours.

My friend Maria’s friend Eusebio Sempere had been instrumental in setting up the several foundations that were eventually incorporated into this fine institution.

Elegant display rooms featured a local painter Juana Frances who I’d never heard of but enjoyed her work especially some charcoal drawings that were mystical. Her land and seascapes were interesting too. She did a lot to ensure women were properly recognised in the arts as well so I’m glad to have met her.

There was floor devoted to Sempere which had both his excellent sculptures but also an array of silk screen prints including a sequence of 12 that showed the process of building a screen printed image. One of the things I always enjoy is when an artist who has decided to go abstract shows that they had the technique to be conventional too. Sempere did with his portrait of his partner.

There were several other rooms with works that varied in their appeal but a few really caught my eye. There were pieces by Miro, Tapies, Calder, Chillida, Giacometti and many Spanish artists I was pleased to be introduced to. There were interactive areas too where you could contribute to art in progress – altogether an impressive gallery. These are a few of my favourites – sorry I didn’t always get the artist.

After a cultured morning it was time to go for a beer and wander back through a different area of the city. Some elegant facades presented themselves and I couldn’t help noticing how many buildings were in the hands of MyFlats – clearly AirBnB equivalents are moving in here big time. There were a few ‘Tourist Go Home‘ graffiti that I’d noticed and hoped that being in a purpose-built hotel I wasn’t preventing locals from getting a home. Big dilemma – they want my money but not my presence.

I had a lovely lunch in Plaza Luceros with scallops and then cheese with anchovies and a good Rueda Verdejo wine, white for a change, and then back to the hotel to watch my next Christmas present – Watford winning 2-1 away at Leicester. Then I wrote some of this and thought about the evening ahead.

Quite close by is a music bar Entre Bambalinas which had a group of singer, piano and percussion called the Palosanto Trio. They played salsa, bossa nova and Spanish standards that lots of the audience knew. The bar had beer, food and wine and while the music was not my core taste, live music is always a good thing. They were lively, committed and gave me a couple of sets of enjoyment.

On my way back lots of people were filming themselves in front of the e-tree in Avenida de la Constitucion but I waited for a clear shot to wish everyone a Happy Boxing Day – Leicester 1-2 Watford! Yay!

Music, markets and Moritz

I’ve managed to do a few things I wanted to experience while in Barcelona but a combination of occasional hip gyp (osteoarthritis quite advanced) and less breath from the lingering flu, I’ve not been roaring about the place as I maybe would have in the past. I love the fact that the city is so well supplied with benches so I can sit and take a rest when necessary. Isabel Allende has a fine quote in her book I just read A Long Petal of the Sea: ‘Pain is unavoidable, suffering is optional’. As I set out on Christmas Eve to enjoy the guided tour of the Palau de la Musica, I was able to have a coffee, perch on a bench and contemplate life at a slower pace.

Benches and cafes on the Rambla de Catalunya.

It also gives me a chance to look around and see elegant buildings like this. There have been some rather (imho) unsuitable replacements and refurbishments to the classy streets of the Eixample, the area into which the wealthy of the city expanded in the early twentieth century with its grid of vertical and horizontal streets so it’s hard to get lost. Enough rambling – on to the Palau.

At the Palau, I join a group of two Americans, one Hungarian and eight Chinese – probably statistically representative of relative populations. Our guide is Marta who is Catalan and a pianist with the organisation who also used to play cello but gave it up as too difficult. As often, the tour begins with a ten minute video of the history and diverse nature of music played at the hall – Montserrat Caballe and Pablo Casals of course but also Ute Lemper and Herbie Hancock. Marta returns and asks if any of us has ever been so I can show off with my attendance two nights ago. I can also answer her enquiry as to whether anyone knows the architect. I do – it was Lluis Domenech i Muntaner, another of the famous group of modernista artists, which included Gaudi. Together they designed the Catalan equivalent of art nouveau or Jugendstil elsewhere in Europe. What I couldn’t answer was how long it took to build – a staggering two and a half years. My guess would have been ten. There were obviously lots of wealthy merchants investing their profits from the Americas in a cultural centre of some magnificence in Barcelona.

The interior is just breathtaking. Every surface is decorated with trencadis, there are thousands of plaster roses – the flower of Catalunya – and sculpture and plasterwork of great significance. There are lots of red and white cross flags which are familiar in England especially around football tournaments. St Jordi (George) is the patron saint of Catalunya too. Lluis certainly thought about what he was building. Alongside the name of the Palau are the words Orfeo Catalana reflecting the origins of the hall as a place for choirs to practice and sing – well they couldn’t watch Strictly or The Voice so they had – and still have – lots of local choirs. I’m hoping to see some of them at the special Sant Esteve (Boxing Day) concert which is said by some I’ve spoken to to rival New Year’s Day in Vienna. As with the exterior a few photos won’t do the venue justice but let’s just say a bust of Beethoven surmounted by horse-riding Valkyries on one side of the stage and sculptures of all the muses behind the performers on stage make this a very special place. The glass sunburst at the centre of the ceiling which allows natural light through is a masterpiece of both design and engineering.

The sunburst with Valkyries behind.

After a coffee in the cafeteria, I set off through the old city centre towards the cathedral – I’ve never seen it without works going on, maybe one day. Then I just have to stop for a beer in Plaza Reial a long-time favourite. One of the limited advantages of travelling alone is that I’m doing far more reading than usual. Instead of chatting over a beer, out comes the kindle. So far I’ve read William Boyd’s rambunctious The Romantic in which we meet Byron in Italy and discover the source of the Nile. This was followed by Kate Atkinson’s fabulous Shrines of Gaiety featuring the dodgy world of nightclubs in interwar London. And as mentioned before, Isabel Allende’s epic Long Petal of the Sea which begins with the horrors of the Spanish Civil War in Catalunya and escape to France and from there to new lives in Chile only to become involved in another coup there. And now I’m enjoying Hotel Iris by Yoko Ogawa – another tantalising excursion into the strange world of Japanese fiction. And the Mcs are lined up next Ian McEwan and two from Cormac McCarthy.

From here it’s a short step along the Rambla to the Liceu opera house which sadly had nothing I wanted to see this trip and then for a walk through the fabulous Boqueria market. I’ve probably rambled on about my love of local markets and my regrets at living in a hotel – maybe an apartment next time. The colour, the noise, the camaraderie of the market is infectious. No room at the market bars though so I found a small bar in a side street for some gambas al ajillo and esparragos.

I have another short stroll to my next destination MACBA the museum of contemporary art in Barcelona. It’s new to me although it opened in 1995 so we must have missed it on previous trips. It’s a great white palace with a warning to watch out for skateboarders on the approach – what is it about art centres and skaters? One attractive aspect is that it has slopes not steps to link the various levels – reminding me a bit of the XXI gallery in Rome I visited in 2017. My appreciation of cutting-edge contemporary artwork is somewhat unrefined but I found two of the artists exhibiting here quite affecting. The Colombian Maria Teresa Hinchcapie which involved performance art, exploration of every day objects and photography gave me plenty to think about. Cynthia Marcelle is a Brazilian artist who had given a number of collaborators some materials to arrange as they wished. The result reminded me of a Cornelia Parker explosion of objects. There was another exhibit based on a Mexican Mixe myth which I found impressive in scale and impenetrable in meaning.

In the permanent collection were a number of pieces I really enjoyed – a Tapies bed and a series of pages taken from a book as if they had been typed without a ribbon so that light projected the text onto the wall. It’s by Mar Arza and is called Nada reiterada (nothing repeated). Most enjoyable for a bibliophile.

Sudden Awakening Antoni Tapies 1993.

The evening was rounded off in a convenient microbrewery Moritz opposite the hotel which was one of the few places open on Christmas Eve. It has a fine selection of house beers – lagers, IPAs a red IPA and a porter style Moritz Negra (black beer). Oh and it had a perfectly fine food menu too.