Well it’s a tradition to go for a walk on Boxing Day but as I had totted up about thirty miles over the last two days, I had planned a visit today to the Calouste Gulbenkian Foundation which is less than ten minutes from the hotel. I set off around nine in time to take breakfast on the way and arrive at opening time at 10 when I hoped it would be less busy than later in the day. The streets were totally different today – still plenty of Chinese tourists – but lots of Portuguese people grabbing a bite before going to the office, workers in hard hats everywhere, cranes swinging overhead – like most major cities, Lisbon will be lovely when it’s finished. With a fresh orange juice, a cinnamon croissant and the obligatory pastel de nata inside me I arrived at the foundation and followed signs through a large, very dark and leafy park to the main entrance.
I knew from earlier emails that I’d get in for half price as an senior and happily parted with my 7 euros. As I walked out just over four hours later it felt like good value.
Gulbenkian made most of his money from oil in Iran and the Gulf and as well as being an avid collector of ancient and modern art and artefacts also instituted a series of cultural and educational programmes. There are two main areas: The Founder’s Collection and The Modern Collection at opposite sides of the park. I started in the antiquities building with a sense that I was back in the Getty Mansion in LA, surrounded by a similar array of amazing pieces from ancient Egypt – how does glass survive 24 centuries? – encompassing pottery and jewellery as well. I was struck by the nautical theme of the last few days with this bronze from 500 BCE and also by the clarity and spaciousness of the galleries. I also fell for the Egyptian cat and her kittens.

I suspect that even on busy days you would be able to move around and read the captions without too much of a struggle. It was also a pleasing feature to catch glimpses of the garden through the large windows. The exterior is a bit brutalist for my taste but you forget all that concrete once you are in these intriguing galleries.


There’s a progression though Greek, Roman and a lot of Islamic art given the Gulf connection – lovely tiles and carpets and illustrated manuscripts. I ambled happily through the rooms until arriving at the French collection – all that overgilded, overblown Versailles furniture – not for me! But then the big surprise which proved I did a bit of reading but not enough, but then of course it wouldn’t have been a surprise. Gulbenkian also had an eye, or good advisers, for French, Italian, Dutch and English painters and OK Singer Sargent was American and his lovely Ladies Sleeping in a Punt under Willows is here. I positively wallowed in some excellent Corot landscapes, Guardi’s views of Venice which I have always slightly preferred to Canaletto, a brooding Rembrandt Old Man, a wonderful ahead-of-its-time Durer duck. 

I was also taken by the Edo period Bento box with its flowery lacquer. Gainsborough and Lawrence portraits and two magnificent Turners, Monet, Manet and Degas completed the feast. Happy morning!
In the temporary exhibition space was a display of sculpture from Rodin’s time in Paris including one of the Burghers Of Calais. It was nicely arranged with section on standing poses, non-posed naturalistic work, group sculpture and nursing mothers. I then took myself across the park to the Modern building passing on the way a splendid amphitheatre at which concerts take place with a lake in the background. Should I ever be here for a performance I’ll bring a cushion as the concrete seats looked rather hard. Kenwood music by the Lake without the stately home.
The modern collection is mostly of Portuguese sculpture, painting and installations one of which really caught my eye and ear. There are 34 boom boxes forming the word NO while playing the spoken word YES in as many different tones.
Otherwise there were some interesting pieces and it’s odd isn’t it how you get drawn to particular items. I approached one thinking that’s good to find it was by Jim Dine and to another that proved a Rachel Whiteread, Maybe the old adage is true ‘Class will out’.
In suddenly realised it was after two o’clock and I needed to find somewhere to watch Watford v Chelsea so rushed back to the hotel only to look at my calendar and realise that it’s a 19:30 kick off. On my way I did pass a sports bar so I should be OK. My other afternoon disaster was to attempt to rent a car. I had always thought it would be a good idea to get out to Sintra and back via the coast at Cascais and Estoril. There was a conveniently close Europcar who could rent me a VW Polo or equivalent. The clerk then said: “I’d better tell you the price before we do the paperwork.” Doesn’t augur well. 210 euros for a one-day hire. The Raggett pauper reared again – I had a car in Spain for ten days in the summer for less than that. So if the rail strike permits (60-odd % running according to the news) I’ll go by train tomorrow. Then back to the hotel to blog and be amazed by the day’s Premier League earlier results – How many goals? – and prepare to pop off to the sports bar for 19:30.
The sports bar was part of a hotel and had a few scarves and shirts (Benfica, Sporting, Real Madrid, Barcelona and Man United) I didn’t bring mine with me or they’d have had a Watford one to add. What they did have was the game on TV and an IPA which truly sprung (or Springed) off the shelf:
and at 6.5% it might well have had even me doing karaoke. As it was the few others in the bar were amused but not disturbed but my oohs and aahs and scream of delight at the equaliser. Their penalty was never in much doubt but the Portuguese commentators were adamant ours was a nailed on penalty on Deleofeu. They showed it in close up and from five angles about five times and were most agitated on our behalf. The bar had wings, nachos, burgers and other suitable sports bar fare so I consumed a modest supper during the second half. I’m not sure whether it was anger at the ref or the food but I had a very disturbed night and was actually quite glad I wasn’t going to be driving first thing in the morning.






I should have checked but thought maybe a castle would be open but if they can charge you for entrance then they’d have had to pay staff today. So I walked around the area, spotting a few stretches of battlements but missing out on the (supposedly) fabulous view across the city – well I had seen it from the other side.

















We chat over a coffee – Jose doing that thing I’ve seen lots of Spanish people do – get a regular coffee and a glass with some ice cubes and then pour the coffee into the glass of ice – cafe con hielo. I guess it’s a DIY iced coffee. We got on very well – he works in the exhibitions department arranging the changing calendar of temporary exhibitions. I think I’d quite enjoy the challenge of deciding who to feature and then finding willing sources to lend works for the exhibition – forensics and persuasion in equal measure. Jose has kindly arranged a free ticket for me and provided me with a guide to one of the two exhibitions in the building Eusebio Sempere where we went first and then Jose went off to do his day’s work. He was most generous with his time and I hope to repay it in London on his next visit. On our way I couldn’t help but admire the magnificent library created as part of the extension.
I fancied a quick beer but there was a football team occupying most of the nearby traditional café and I’m afraid I don’t do Burger King or Macdonald’s, I did find a suitable bar a short distance away and sat and looked at a booklet about Open Madrid I’d been handed by a tourist office lady. This is about places not normally visitable like the Open Gardens and Open Offices in London and I now presume other cities. Might have to come back – it sounds fun. However the booklet also informed me that at the Teatro Pavan this evening was a performance of Yerma to mark 80 years since Lorca’s death. I know the play from reading it, the Juliet Stevenson performance in the Cottesloe in the 1980s and of course the recent Billie Piper vehicle although I’m not sure many of Lorca’s actual words were in that version exciting though it was. So I got the phone out, booked one of the last four tickets – is there a bot that tells you that whatever you’re after there’s only so much or so many left? I find it annoying on hotel sites, slightly less so here – it might even be true.
There are brilliant Bosch and Bruegel rooms but I decide to restrict myself to El Greco – they have lots more here than in Toledo and some of even better quality, Velazquez and Goya. What I like about El Greco’s big set pieces is that each portrait in the crowd is of someone you’ve just seen or might meet in a bar. Christ carrying the cross with tears welling up is amazing. Moving on seeing Las Meninas again made me think of Laura Cumming’s excellent book The Vanishing Man which features a whodunnit art world adventure tracing a missing Velazquez – must read it again. He again pushed painting forward in many ways with some of the brushwork almost akin to Van Gogh. The Prado has lots of Velazquez but I recall being told on an Art Fund visit to Apsley House that they have even more as they were given as tribute to Wellington for ridding Spain of the French. I save Goya till last and end up with the two majas and then the awful, awesome 3rd of May which does actually make me cry.
It’s quite a schlepp and my dreams of a pre-performance drink have to be passed up. They scan my ticket on my phone and send me past a main auditorium to a tiny space that was exactly like the old Bush theatre in the early 70s. Four rows of folding chairs in rows of 20 and mind the props as you cross the stage to your seat. No numbered seating meant I should have got there earlier but with a bit of craning and sliding I managed to see most of it. Oh and there was only one empty seat. It was a mixed version with modern dress, a refusing-to-turn-blue pregnancy test taken on the centre stage WC to emphasise Yerma’s longing for a child and some updating of the language. It was well acted with a good ensemble cast and a brilliant Yerma who is of course virtually on stage throughout. This actress is Alba José who looked vaguely familiar and when I got home I realised that she had been in the excellent Spanish TV series shown on BBC 4 last year I know who you are. A very happy couple of hours to round off a day of culture. So I take a post-performance glass of wine and haltingly discuss my impressions with a couple whose English is on a par with my Spanish but we have another round and all enjoyed the play and a chance to chat about it.
Another pit stop for a café y copa well it is my last night in Spain and back to the hotel – so different from my others but fun with its black and white décor and strange wood grain woven carpet in the corridors, Why? Actual wood strips in the rooms.
I spend Friday morning getting a few last minute items around the Salamanca area which was as I said in an earlier piece was new to me and very impressive. Plenty of places to eat and drink well but also little food shops, fruit and veg stalls and lots of antique shops – if I was driving home I might be in trouble. Check out is at noon and flight check in at four so I decide to drive straight on down Calle Alcala in the car. It goes on for ever and ends up in the town of Alcala de Henares of which I made a circuit but failed to find a parking spot. It’s an important musical and university town and has some impressive buildings housing those pursuits. Looked definitely worthy of another visit – maybe by train next time I’m in Madrid (if).


The northern river Jucar had a bit more water than the Huecar on the parador side and there was a pleasant park and another incredibly modern church the cross of which probably doubles as a cellphone mast, impressive university buildings and a likely looking theatre.
Do I walk back up or get a cab? Seems daft to not walk but it does prove quite steep and there’s more to come later. However the legs make it up beside the Huecar with its little weirs gurgling encouragement to the ancient limbs and I do get a different angle on the hanging houses and the bridge which on my way down I’d heard someone refusing to cross – I guess if you have a height phobia it would be very scary.



I had of course to go through Sol the very heart of Madrid and our favourite plaza Santa Ana before heading through the Retiro Gardens and back to the hotel on Alcala. My feet said enough and there’s a Mexican-Spanish fusion group playing live on the roof terrace tonight so it would be rude not to attend. Besides as I entered my room after an urgent beer in the bar I found this. Salud!





Well on this stretch there had been a rock fall within the last couple of days given the freshness of the markings on the road. There were still yellow road works signs for the guys clearing the rocks off the road.
I drove through the gorge of the river Jucar passing literally gorgeous scenery (sorry) and an extensive reservoir.
Finally after a section marked as ‘Mountain road – no markings’ – great fun and only one vehicle to negotiate in 20 km – the road emerged in the village of Cañete which had some staggering Moorish walls, a market and a bar/restaurant that looked good for lunch. I sat with a beer and some local very strong manchego cheese and homemade chorizo when the heavens opened and the town came rushing in.
It was clear that I was occupying a difficult spot for la padrona to accommodate everyone so I moved to great thanks from the incoming group. As you do, I became involved in conversation thereafter and enquired as to what their tee shirts signified. The women were wearing tops with the slogan ‘La peña de pantocha’. I knew that peña meant an association, society or interest group but I had to enquire what the word pantocha meant – should have learnt more slang in my youth. The ladies burst into laughter and indicated that it was a part of the feminine anatomy where as they put it ‘Entran las pollas, salen los niños’. My conclusion that in English they’d be called the C*** Club had them in complete hysterics with gleeful delight in the matched alliteration. The menfolk were all bearing tee shirts with the legend WILLYS with which I was familiar from a souvenir/craft shop in Palamos a while ago where as a winter gift they had a series of beautifully knitted ‘willy warmers’ ranging from thimble size to truncheon – you decide which to take home. I tried to explain that grammatically their slogans were wrong in that they should either be WILLY’S if they were celebrating one particular member or WILLIES if they were all involved. I spared them the Wilis in Giselle. We were deep into dangerous territory here as I couldn’t accept the free-flowing booze with my car parked opposite under the walls. It transpired that while the fiesta always had a religious element, a few years ago some of them had decided to sex it up a bit with some gender related fun and games so they had a number of contests between the sexes. I hate to think how the evening would have finished – it was quite rowdy when I left at 4.30. But my new friends did pose for a photo as I left. Spike in June babies in Cañete?





What I hadn’t checked was that Belmonte was celebrating its fiesta patronal which involved a lots of singing, dancing and drinking on Saturday and on Sunday a procession for the Virgin of Grace. So I watched England beaten by Spain to the delight of the locals – I had to admit Spain were the better team although ‘we was robbed’ at the end. I then joined the revellers at the local brass band’s recital and then at a series of sets by a band I can only describe as Latino heavy rock. They were fun, people dressed up and danced but they did go on until 04:30.
I had retired by then but not to much sleep! On the way east the weather had changed and once the music stopped I was woken by thunder. It rumbled around but produced no rain which is good as two days ago in a town near Toledo I saw on the news cars being swept down the street in flash floods. It was called Cebolla = Onion Town.


It has some very impressive examples: Chillida, Tapies, Miro among them and some fine works by artists I didn’t know. Being inside the building was great too as some of the original features remain and the view from the balconies is vertiginous.

I might not have fetched up where I did in a previous visit (!) but found a bar in the main square near the cathedral with some local craft beer I thought I’d try – the bottle came and it was 7%, serious beer, but as so often with high alcohol content too sweet for my tooth so I stuck at the one there and had a more refreshing Alhambra on the way back to check in.
However this wasn’t going to be a stay in the hotel all day stay so no real problem. On arrival after my Don Quixote day I walked the twenty minutes into the centre. To be fair it’s a fairly dull town with a few good buildings – theatre very deco, church one very modern and some very ancient as well as a good plaza.

However this part of the trip was for swimming (tick), writing (tick) chilling (semi-tick) and exploring the local ecology, archeology and oenology (two and a half ticks).




It provided a good lunch stop in the shade as the temperature reached 41 Celsius.








The town has a fine plaza and church, a ducal palace now the town hall, a cinema themed bar and is famous for growing saffron without which no paella would be complete.





It also has an octagonal library – complete with youngster on the net – and a little way away a famous 18th century casa de postas which from its original use as a place for message carriers to stay has been a barracks, a hostel and is noted as a building of interest. But as you can see it’s all a facade.
Made me think again about spending money restoring old things, funding prestigious projects that no one really needs and using scarce resources on real need and halting the slide into poverty of so many. It’s a hard one as heritage is important. How come Spain already has a brilliant high speed train network AVE that connects all the major cities at more than 300 Kph? Crossrail, HS2 really? Are the amazing infrastructure projects what took Spain into the dodgy PIGS group a few years back?
It’s enough to make a nag like Dulcinea sweat going up all those hills and forgetting that you can drive to the top! Since we were there one of the mills has been restored to function on a few days a week actually grinding grains to make flour – but not today. We had visited here from the parador at Almagro a bit to the south so I thought a nostalgic trip there was in order.
We had seen its galleried plaza mayor with Christmas lights and a tree. It brought back very happy memories but the square where we had lunched and shopped was exhibiting end of seasonitis today – it was midweek and school’s just gone back. In one restaurant the chef had presented us with a book about the aubergine (eggplant, berenjena) for which the town is famous.
So I had to have one for lunch. It was delicious and Almagro remains an attractive town and I couldn’t help thinking that Dee should have been with me as I passed this bar.


